Dulac, au-delà de Dada
Eder2019-09-17T20:30:02+02:00http://www.youtube.com/watch?v=EN930vYQDXE Germaine Dulac and Female Authorship Rosanna Maule, Sense of Cinema, 23 In November of 1927, Germaine Dulac wrote a letter to the editor of La Nouvelle Revue Française, to lament that, in publishing the scenario of La coquille et le clergyman—the film she had recently directed from a script by Antonin Artaud—the journal had omitted to mention her as the “author” (1). In her missive, Dulac stressed that she did not mean to attack the journal nor Artaud, who had on other occasions voiced his dissatisfaction with her adaptation and in this issue prefaced his script with an article that clarified his position in relation to the film (2). Her elegantly phrased complaint ended with a reminder about a conversation that she [...]