{"id":951,"date":"2010-08-12T20:11:15","date_gmt":"2010-08-12T19:11:15","guid":{"rendered":"https:\/\/www.edder.org\/?p=951"},"modified":"2018-07-27T16:37:46","modified_gmt":"2018-07-27T14:37:46","slug":"mr-godard-goes-to-hollywood","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=951","title":{"rendered":"Pierrot le fou style?"},"content":{"rendered":"

\n\t\"comments\"<\/p>\n

«Pierrot le fou style»:
\n\t

http:\/\/www.youtube.com\/watch?v=Pg6w4S7OXGg<\/a>\n
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

«Pierrot le fou style»:<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[79,7],"tags":[],"class_list":["post-951","post","type-post","status-publish","format-standard","hentry","category-cine","category-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-fl","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":11729,"url":"https:\/\/www.edder.org\/?p=11729","url_meta":{"origin":951,"position":0},"title":"Remake","author":"Eder","date":"domingo, 31 May, 2015","format":false,"excerpt":"Secuencia de Gimme Shelter (Maysles Bros., 1970): \u00a0 \u00a0 Cartel de Una paloma se pos\u00f3 en una rama (Roy Andersson, 2014): [\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]","rel":"","context":"En \u00abSin categorizar\u00bb","block_context":{"text":"Sin categorizar","link":"https:\/\/www.edder.org\/?cat=1"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/05\/Sin-ti%CC%81tulo-12.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2012,"url":"https:\/\/www.edder.org\/?p=2012","url_meta":{"origin":951,"position":1},"title":"Pierrot triste (Lucian Freud, 1922-2011)","author":"Eder","date":"domingo, 24 Jul, 2011","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":42997,"url":"https:\/\/www.edder.org\/?p=42997","url_meta":{"origin":951,"position":2},"title":"Futbolmarianismo y regionalcatolicismo de los siglos XX y XXI","author":"Eder","date":"mi\u00e9rcoles, 21 Ago, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abPrehistoria contempor\u00e1nea\u00bb","block_context":{"text":"Prehistoria contempor\u00e1nea","link":"https:\/\/www.edder.org\/?cat=90"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":12497,"url":"https:\/\/www.edder.org\/?p=12497","url_meta":{"origin":951,"position":3},"title":"Chantal disparue (par Fr\u00e9d\u00e9ric Bonnaud)","author":"Eder","date":"jueves, 15 Oct, 2015","format":false,"excerpt":"Je crois que j\u2019ai toujours aim\u00e9 les films de Chantal Akerman. 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