{"id":781,"date":"2010-06-23T23:07:15","date_gmt":"2010-06-23T22:07:15","guid":{"rendered":"https:\/\/www.edder.org\/?p=781"},"modified":"2010-07-30T23:57:47","modified_gmt":"2010-07-30T22:57:47","slug":"ultimos-dias-en-el-campo","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=781","title":{"rendered":"\u00daltimos d\u00edas en el campo"},"content":{"rendered":"

Oyendo ahora:
\nAmos Lee, Last Days at the Lodge<\/em>.
\nUna peque\u00f1a muestra<\/a>.
\nMi calificaci\u00f3n: bastante alta.<\/p>\n

\"amos\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Oyendo ahora: Amos Lee, Last Days at the Lodge. Una peque\u00f1a muestra. Mi calificaci\u00f3n: bastante alta.<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[87],"tags":[86],"class_list":["post-781","post","type-post","status-publish","format-standard","hentry","category-music","tag-amos-lee"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-cB","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42905,"url":"https:\/\/www.edder.org\/?p=42905","url_meta":{"origin":781,"position":0},"title":"Charlie Chaplin, el pobre y el proletario (por Roland Barthes)","author":"Eder","date":"domingo, 4 Ago, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin_barthes.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin_barthes.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin_barthes.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin_barthes.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin_barthes.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1265,"url":"https:\/\/www.edder.org\/?p=1265","url_meta":{"origin":781,"position":1},"title":"Ni siquiera silencio","author":"Eder","date":"viernes, 17 Dic, 2010","format":false,"excerpt":"\u00a0\u00a0 Camus dice que vio en el invierno de 1946 una gramola en la que, sin que nadie echase en ella una moneda, sonaba m\u00fasica sin parar, a todo volumen. Justamente, si alguien echaba cinco c\u00e9ntimos en el infernal aparato, obten\u00eda cinco minutos de silencio. En 1952 John Cage compuso\u2026","rel":"","context":"En \u00abM\u00fasica\u00bb","block_context":{"text":"M\u00fasica","link":"https:\/\/www.edder.org\/?cat=87"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":86,"url":"https:\/\/www.edder.org\/?p=86","url_meta":{"origin":781,"position":2},"title":"D\u00edas de cine","author":"Eder","date":"viernes, 2 Mar, 2007","format":false,"excerpt":"De vuelta al cine, \u00abotro pa\u00eds en el mapa\u00bb, que dijera Godard. Y de Godard han puesto en el festival Punto de Vista sus Momentos escogidos de Histoire(s) du Cinema. 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