{"id":710,"date":"2010-05-07T10:24:11","date_gmt":"2010-05-07T09:24:11","guid":{"rendered":"https:\/\/www.edder.org\/?p=710"},"modified":"2020-11-18T11:06:54","modified_gmt":"2020-11-18T10:06:54","slug":"las-maletas-del-arquitecto","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=710","title":{"rendered":"Las maletas del arquitecto"},"content":{"rendered":"

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Leo que en la supuesta y pretendida sala de exposiciones que honra con su nombre a quien fuera figura clave en la \u00ablimpieza\u00bb del 36\u2026 Leo que a la llamada Sala de Exposiciones Conde de Rodezno \u2013monumento funerario, junto con el Valle de los Ca\u00eddos, \u00fanico en Europa, por ser de lo poco que, para nuestra verg\u00fcenza, sigue en pie de lo mucho mandado construir por caudillos m\u00edsticos y arrebatados\u2013 ha tenido la mala suerte de ir a parar la exposici\u00f3n Arquitecturas desplazadas<\/em>, que muestra la obra de los arquitectos a los que el golpe de Mola \u2013cuyo cad\u00e1ver sigue en esa cripta\u2013 y Rodezno desplaz\u00f3<\/em> al exilio. Mala suerte, si no mala fe de quien ha mandado a tan siniestro lugar a los arquitectos del exilio, porque por mayor que sea la curiosidad, no dan ganas de entrar en ese tipo de sitios siniestros en los que a\u00fan hay alg\u00fan general golpista en la cripta, as\u00ed que el lugar se vista de sala de arte \u2013por arte algunos entendemos el trabajo, la reflexi\u00f3n que durante unos treinta a\u00f1os llevo a cabo Anselm Kiefer sobre este f\u00fanebre tipo de monumentos m\u00edstico-totalitarios\u2013. Y peor suerte todav\u00eda la del arquitecto Javier Y\u00e1rnoz, presente en la exposici\u00f3n. Pamplona tiene el perfil que le dio Eusa durante d\u00e9cadas, pero sin la \u00ablimpieza\u00bb de los Mola, Rodezno y el propio Eusa pod\u00eda haber tenido tambi\u00e9n el perfil de Javier Y\u00e1rnoz, que antes de salir para el exilio nos dej\u00f3 edificios como el del teatro Gayarre. Es Garc\u00eda-Larrache, otro desplazado<\/em>, quien nos cuenta c\u00f3mo Javier Y\u00e1rnoz abandon\u00f3 Pamplona tras los espantosos fusilamientos de las Bardenas, en los que caer\u00eda su cu\u00f1ado Marino H\u00fader. Es \u00e9l quien nos lo muestra en Bayona construyendo las dos maletas, m\u00e1s hechas del material con que est\u00e1 hecho la esperanza que de madera, con las que viajar\u00eda al lugar del otro lado del oc\u00e9ano donde la vida era posible y donde Pamplona quedar\u00eda como una pesadilla del pasado. Mala suerte, la de haber nacido en un lugar en el que, pervivencias siniestras aparte, no se honra como se debe a quien lo merece.<\/p>\n

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Publicado en Diario de Noticias<\/a>
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