{"id":567,"date":"2010-01-28T22:43:51","date_gmt":"2010-01-28T21:43:51","guid":{"rendered":"https:\/\/www.edder.org\/?p=567"},"modified":"2018-07-27T16:37:54","modified_gmt":"2018-07-27T14:37:54","slug":"una-larga-prehistoria","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=567","title":{"rendered":"Una larga prehistoria"},"content":{"rendered":"<p><img decoding=\"async\" class=\"lazyload alignnone\" height=\"549\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27953%27%20height%3D%27549%27%20viewBox%3D%270%200%20953%20549%27%3E%3Crect%20width%3D%27953%27%20height%3D%27549%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/brueghel_triunfo.jpg\" width=\"953\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Se cree &ndash;no est&aacute; demostrado ni siquiera investigado&ndash; que cuando las tropas estadounidenses entraron en Afganist&aacute;n, justo en los inicios del siglo XXI, hubo una matanza de unos dos mil talibanes, luego enterrados en la fosa com&uacute;n de Dash-e-Leili. Seg&uacute;n se dice, los muertos fueron encerrados por los verdugos &ndash;uniformados por los EE. UU. y a las &oacute;rdenes de un se&ntilde;or de la guerra local&ndash; en contenedores met&aacute;licos y abandonados sol. As&iacute; que las visiones de pesadilla pintadas por Brueghel el Viejo en <em>El triunfo de la muerte<\/em> &ndash;esa pintura en la que una amalgama de cuerpos es conducida por los funcionarios del exterminio hacia el interior de un contenedor&ndash; se vuelven a hacer realidad. Digo se vuelven, porque ya se hicieron realidad antes, de manera que supera las pesadillas m&aacute;s atroces, en los contenedores de ganado llenos de personas camino de Auschwitz, campo de exterminio que esta semana ha contado con el dudoso beneficio de los grandes discursos y el &ldquo;d&iacute;a mundial de&rdquo;, esa manera de desentenderse de algo el resto del a&ntilde;o. El infierno est&aacute; siempre aqu&iacute; y es la expresi&oacute;n de un terror sin fin que irrumpe por doquier. Es, en palabras de Adorno, una eterna prehistoria cuyo espanto radica en permanecer siempre id&eacute;ntica a s&iacute; misma, manifest&aacute;ndose sin cesar, sea con nuevas vueltas de tuerca a los terrores conocidos, sea con horrores tan insospechados como Auschwitz que van m&aacute;s all&aacute; de todo lo concebible. La constataci&oacute;n de que los horrores de nuestra eterna prehistoria triunfan una y otra vez sobre todos los intentos hist&oacute;ricos de superarlos conduce al derrotismo que sentencia que esto es lo que hay y que as&iacute; es la naturaleza humana, cosa indiscutible. Tan indiscutible como que, cuando ese derrotismo se convierte en conformismo comienzan a incubarse un nuevo horror. No s&eacute; si <em>La cinta blanca<\/em>, de Michael Haneke, que est&aacute; ahora en los cines, habla de esto. Hable de ello o no, no hay horror, crematorio, fosa grande o peque&ntilde;a que no merezca investigarse m&aacute;s y recordarse mejor.<\/p>\n<p align=\"right\">Publicado en enero de 2010, en <a href=\"http:\/\/www.diariodenoticias.com\/opinion\/columnistas\/postal-expres\" target=\"blank\">Diario de Noticias<\/a><br \/>\n\t<img class=\"lazyload\" decoding=\"async\" align=\"right\" alt=\"dn\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"https:\/\/www.edder.org\/images\/dn.gif\" title=\"dn\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Se cree &ndash;no est&aacute; demostrado ni siquiera investigado&ndash; que cuando las tropas estadounidenses entraron en Afganist&aacute;n, justo en los inicios del siglo XXI, hubo una matanza de unos dos mil talibanes, luego enterrados en la fosa com&uacute;n de Dash-e-Leili. Seg&uacute;n se dice, los muertos fueron encerrados por los verdugos &ndash;uniformados por los EE. UU. y a las &oacute;rdenes de un se&ntilde;or de la guerra local&ndash; en contenedores met&aacute;licos y abandonados sol. As&iacute; que las visiones de pesadilla pintadas por Brueghel el Viejo en El triunfo de la muerte &ndash;esa pintura en la que una amalgama de cuerpos es conducida por los funcionarios del exterminio hacia el interior de un contenedor&ndash; se vuelven a hacer realidad. Digo se vuelven, porque ya se hicieron realidad antes, de manera  [&#8230;]<\/p>\n","protected":false},"author":82,"featured_media":12539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[85,1],"tags":[74,75],"class_list":["post-567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes","category-sin-categorizar","tag-brueghel","tag-haneke"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2010\/01\/2.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-99","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13535,"url":"https:\/\/www.edder.org\/?p=13535","url_meta":{"origin":567,"position":0},"title":"\u00cdcaro 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