{"id":42965,"date":"2024-08-07T20:23:17","date_gmt":"2024-08-07T18:23:17","guid":{"rendered":"https:\/\/www.edder.org\/?p=42965"},"modified":"2024-08-18T08:59:35","modified_gmt":"2024-08-18T06:59:35","slug":"charlie-chaplin-por-grigori-kozintsev","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=42965","title":{"rendered":"Charlie Chaplin, por Grigori K\u00f3zintsev"},"content":{"rendered":"

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Grigori K\u00f3zintsev<\/p>\n<\/div>

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E<\/span>n uno de sus art\u00edculos, recordando a su madre, Chaplin describi\u00f3 c\u00f3mo ella estaba de pie durante horas mirando por la ventana al callej\u00f3n sin salida de Kennington Road. Todo lo que ve\u00eda se reflejaba en su rostro, en su m\u00edmica. Al observarla, Chaplin aprendi\u00f3 qu\u00e9 personajes pasaban por debajo de la ventana y qu\u00e9 les hab\u00eda sucedido ese d\u00eda. Chaplin hered\u00f3 tanto el mimetismo como la agudeza visual de su madre. La diferencia es que \u00e9l miraba por otra ventana. En lugar de mirar a un pobre callej\u00f3n de Londres frecuentado por la misma gente un d\u00eda tras otro, miraba la vida de su tiempo. Su genio reflej\u00f3 lo que observaba: desempleo, crisis, guerra y fascismo. Es decir, su \u00e9poca.<\/p>\n

Chaplin tuvo muchos imitadores. Todos intentaron diseccionar su arte y encajar las piezas del rompecabezas, pero sus esfuerzos fueron bald\u00edos. Hab\u00eda payasos m\u00e1s divertidos que \u00e9l y acr\u00f3batas m\u00e1s vers\u00e1tiles, pero no hab\u00eda nada en ellos que pudiera igualar la profundidad de Chaplin. El talento no es solo la raigambre espiritual del artista, ni el grado de su percepci\u00f3n; un verdadero artista es siempre como un sism\u00f3grafo detectando las sacudidas internas de su \u00e9poca.
\nLos imitadores de Chaplin eran capaces de producir f\u00e1cilmente series y variaciones de situaciones c\u00f3micas, pero se extraviaban al intentar trasmitir su sentido de la realidad. Sin lo principal, la perspectiva, no quedaba nada m\u00e1s que payasadas.\u00bb<\/p>\n<\/div>

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Grigori K\u00f3zintsev, 1959<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":82,"featured_media":42973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[79,678],"tags":[672,788],"class_list":["post-42965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-textoscine","tag-chaplin","tag-kozintsev"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2024\/08\/chaplin4.png","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-baZ","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":39368,"url":"https:\/\/www.edder.org\/?p=39368","url_meta":{"origin":42965,"position":0},"title":"Una 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