{"id":4092,"date":"2015-01-23T18:50:28","date_gmt":"2015-01-23T17:50:28","guid":{"rendered":"https:\/\/www.edder.org\/?p=4092"},"modified":"2019-07-31T14:57:23","modified_gmt":"2019-07-31T12:57:23","slug":"oteiza-en-la-llamada-universidad-de-navarra","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=4092","title":{"rendered":"Oteiza en la llamada Universidad de Navarra"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Seguro que ironiza &ndash;m&aacute;s iron&iacute;as con el Opus de por medio&ndash; quien hoy escribe en <em>Diario de Noticias<\/em>: &laquo;Si hubiera vivido doce a&ntilde;os m&aacute;s, el gran artista Jorge Oteiza hubiera tenido ayer varias razones para estar contento. La primera, que el reci&eacute;n estrenado Museo de la Universidad de Navarra le dedica una sala especial&raquo;.<\/p>\n<p>Sin duda, lo que soterrada e ir&oacute;nicamente est&aacute; diciendo quien eso escribe es que Jorge Oteiza, que jam&aacute;s fue invitado a dar una conferencia en la llamada Universidad de Navarra ni a exponer nada en la misma &ndash;pese a vivir tantos a&ntilde;os en la comarca de Pamplona&ndash;, una vez muerto, enterrado, despedazado como un trist&iacute;simo Acte&oacute;n por la jaur&iacute;a acad&eacute;mica y reinterpretado por la misma, es hoy, finalmente, tantos a&ntilde;os despu&eacute;s, un Oteiza digestible y digerido por la llamada Universidad de Navarra, la UN, la del Opus, no confundir con la Universidad P&uacute;blica de Navarra, la UPNA, la que construy&oacute; S&aacute;enz de Oiza y tiene en su campus obra de Oteiza desde que Oteiza viv&iacute;a.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><div class=\"video-shortcode\"><iframe title=\"Oteiza: funci\u00f3n de la escultura\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/q6QBsn2VWCw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div><\/p>\n<p>&laquo;&mdash;&iquest;Pero esto sirve pa adornar?<br \/>\n\t&mdash;Qu&eacute; co&ntilde;o va a servir esto pa adornar. Es para crear hombre. Una vez creao el hombre, para qu&eacute; quiero estas mierdas. Estas son las latas con las que yo me alimentao, les doy una patada y llegan a la exposici&oacute;n.&raquo;<\/p>\n<p style=\"text-align: center;\"><div class=\"video-shortcode\"><iframe title=\"Jorge Oteiza - Arte para el hombre\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/PlWYM-53sxw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Seguro que ironiza &ndash;m&aacute;s iron&iacute;as con el Opus de por medio&ndash; quien hoy escribe en Diario de Noticias: &laquo;Si hubiera vivido doce a&ntilde;os m&aacute;s, el gran artista Jorge Oteiza hubiera tenido ayer varias razones para estar contento. La primera, que el reci&eacute;n estrenado Museo de la Universidad de Navarra le dedica una sala especial&raquo;. Sin duda, lo que soterrada e ir&oacute;nicamente est&aacute; diciendo quien eso escribe es que Jorge Oteiza, que jam&aacute;s fue invitado a dar una conferencia en la llamada Universidad de Navarra ni a exponer nada en la misma &ndash;pese a vivir tantos a&ntilde;os en la comarca de Pamplona&ndash;, una vez muerto, enterrado, despedazado como un trist&iacute;simo Acte&oacute;n por la jaur&iacute;a acad&eacute;mica y reinterpretado por la misma, es hoy, finalmente, tantos a&ntilde;os despu&eacute;s, un  [&#8230;]<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[85,3],"tags":[187],"class_list":["post-4092","post","type-post","status-publish","format-standard","hentry","category-artes","category-na","tag-oteiza"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-140","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12752,"url":"https:\/\/www.edder.org\/?p=12752","url_meta":{"origin":4092,"position":0},"title":"Dirigido por Oteiza: el d\u00eda que Odiseo lleg\u00f3 a Pamplona","author":"Eder","date":"martes, 16 Feb, 2016","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2016\/02\/vlcsnap-2016-02-16-20h30m30s4.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1261,"url":"https:\/\/www.edder.org\/?p=1261","url_meta":{"origin":4092,"position":1},"title":"Chillida-Leku y alrededores","author":"Eder","date":"viernes, 10 Dic, 2010","format":false,"excerpt":"Ya es casualidad que la familia Chillida llame a la providencial intervenci\u00f3n de los poderes p\u00fablicos en el preciso momento en que San Sebasti\u00e1n aspira a la capitalidad europea de la cultura. Dado lo se\u00f1alado del momento, es de suponer que la salv\u00edfica intervenci\u00f3n pol\u00edtica se dar\u00e1. 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Laberinto y minotauro.","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2016\/02\/Teseo.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/4092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4092"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/4092\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}