{"id":40082,"date":"2021-01-01T11:57:43","date_gmt":"2021-01-01T10:57:43","guid":{"rendered":"https:\/\/www.edder.org\/?p=40082"},"modified":"2021-01-03T00:35:07","modified_gmt":"2021-01-02T23:35:07","slug":"confinado-con-bob-dylan","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=40082","title":{"rendered":"Confinado con Bob Dylan"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\" style=\"--awb-font-size:21px;--awb-line-height:2;\"><ol>\n<li>Audio: Bob Dylan: <em>Murder Most Foul<\/em> (finales de marzo de 2020, 17 minutos)<\/li>\n<li>V\u00eddeo: fragmento (17 minutos) de <em>On Paradise Road<\/em> (2020), de James Benning (filmado en Val Verde, Texas, en los d\u00edas del primer confimamiento de 2020)<\/li>\n<li>Texto: Nick Cave sobre <em>Murder Most Foul<\/em> de Dylan (Londres, primer confinamiento, 2020)<\/li>\n<\/ol>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-audio fusion-audio-1\" style=\"--awb-progress-color:#ffffff;--awb-border-color:var(--awb-color1);--awb-background-color:#1d242d;--awb-max-width:100%;--awb-border-size:0;--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-right-radius:0px;--awb-border-bottom-left-radius:0px;\"><audio class=\"wp-audio-shortcode\" id=\"audio-40082-1\" autoplay preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/edder.org\/audio\/murder_most_foul.mp3?_=1\" \/><a href=\"https:\/\/edder.org\/audio\/murder_most_foul.mp3\">https:\/\/edder.org\/audio\/murder_most_foul.mp3<\/a><\/audio><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:60px;width:100%;\"><div class=\"fusion-separator-border sep-double\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#e2e2e2;border-top-width:1px;border-bottom-width:1px;\"><\/div><\/div><div class=\"fusion-video fusion-selfhosted-video\" style=\"max-width:100%;\"><div class=\"video-wrapper\"><video playsinline=\"true\" width=\"100%\" style=\"object-fit: cover;\" preload=\"auto\" controls=\"1\"><source src=\"http:\/\/edder.org\/movies\/paradise_road.mp4\" type=\"video\/mp4\">Sorry, your browser doesn&#039;t support embedded videos.<\/video><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:90px;width:100%;\"><\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-font-size:15px;--awb-line-height:1.6;--awb-text-color:rgba(2,0,0,0.46);\"><div>\n<div>\n<p style=\"text-align: left;\">\u201cMany other people have also written in about Bob Dylan\u2019s new song, \u2018Murder Most Foul\u2019 \u2014 and the interest is justifiable. It is a perplexing but beautiful song and, like many people, I have been extremely moved by it.<\/p>\n<p style=\"text-align: left;\">At the heart of this seventeen-minute epic is a terrible event, the assassination of JFK \u2014 a dark vortex that threatens to pull everything into it, just as it did in the USA back in 1963. Whirling around the incident Dylan weaves a litany of loved things \u2014 music mostly \u2014 that reach into the darkness, in deliverance. As the song unfolds he throws down lifeline after lifeline, insistent and mantra-like, and we are lifted, at least momentarily, free of the event. Dylan\u2019s relentless cascade of song references points to our potential as human beings to create beautiful things, even in the face of our own capacity for malevolence. \u2018Murder Most Foul\u2019 reminds us that all is not lost, as the song itself becomes a lifeline thrown into our current predicament.<\/p>\n<p style=\"text-align: left;\">The instrumentation is formless and fluid and very beautiful. Lyrically it has all the perverse daring and playfulness of many of Dylan\u2019s great songs, but beyond that there is something within his voice that feels extraordinarily comforting, especially at this moment. It is as though it has travelled a great distance, through stretches of time, full of an earned integrity and stature that soothes in the way of a lullaby, a chant, or a prayer.<\/p>\n<p style=\"text-align: left;\">As for whether this is the last time we will hear a new Bob Dylan song. I certainly hope not. But perhaps there is some wisdom in treating all songs, or for that matter, all experiences, with a certain care and reverence, as if encountering these things for the last time. I say this not just in the light of the novel coronavirus, rather that it is an eloquent way to lead one\u2019s life and to appreciate the here and now, by savouring it as if it were for the last time. To have a drink with a friend as if it were the last time, to eat with your family as it were the last time, to read to your child as if it were the last time, or indeed, to sit in the kitchen listening to a new Bob Dylan song as if it were the last time. It permeates all that we do with greater meaning, placing us within the present, our uncertain future, temporarily arrested.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-text fusion-text-3\"><p style=\"text-align: right;\">Nick Cave<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:200px;width:100%;\"><\/div><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"907\" height=\"510\" title=\"benning2\" src=\"https:\/\/www.edder.org\/upload\/2021\/01\/benning2.png\" data-orig-src=\"https:\/\/www.edder.org\/upload\/2021\/01\/benning2.png\" alt class=\"lazyload img-responsive wp-image-40101\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27907%27%20height%3D%27510%27%20viewBox%3D%270%200%20907%20510%27%3E%3Crect%20width%3D%27907%27%20height%3D%27510%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.edder.org\/upload\/2021\/01\/benning2-200x112.png 200w, https:\/\/www.edder.org\/upload\/2021\/01\/benning2-400x225.png 400w, https:\/\/www.edder.org\/upload\/2021\/01\/benning2-600x337.png 600w, https:\/\/www.edder.org\/upload\/2021\/01\/benning2-800x450.png 800w, https:\/\/www.edder.org\/upload\/2021\/01\/benning2.png 907w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 800px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-4\"><p style=\"text-align: center;\">James Benning<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-5\" style=\"--awb-font-size:17px;\"><div class=\"bbVIQb\">\n<div class=\"ujudUb u7wWjf\" data-mh=\"-1\">Twas a dark day in Dallas, November &#8217;63<br \/>\nA day that will live on in infamy<br \/>\nPresident Kennedy was a-ridin&#8217; high<br \/>\nGood day to be livin&#8217; and a good day to die<br \/>\nBeing led to the slaughter like a sacrificial lamb<br \/>\nHe said, \u00abWait a minute, boys, you know who I am?\u00bb<br \/>\n\u00abOf course we do, we know who you are\u00bb<br \/>\nThen they blew off his head while he was still in the car<br \/>\nShot down like a dog in broad daylight<br \/>\nWas a matter of timing and the timing was right<br \/>\nYou got unpaid debts, we&#8217;ve come to collect<br \/>\nWe&#8217;re gonna kill you with hatred, without any respect<br \/>\nWe&#8217;ll mock you and shock you and we&#8217;ll put it in your face<br \/>\nWe&#8217;ve already got someone here to take your place<br \/>\nThe day they blew out the brains of the king<br \/>\nThousands were watchin&#8217;, no one saw a thing<br \/>\nIt happened so quickly, so quick, by surprise<br \/>\nRight there in front of everyone&#8217;s eyes<br \/>\nGreatest magic trick ever under the sun<br \/>\nPerfectly executed, skillfully done<br \/>\nWolfman, oh Wolfman, oh Wolfman, howl<br \/>\nRub-a-dub-dub, it&#8217;s a murder most foul<\/div>\n<div class=\"ujudUb xpdxpnd\" data-mh=\"708\" data-mhc=\"1\">Hush, little children, you&#8217;ll understand<br \/>\nThe Beatles are comin&#8217;, they&#8217;re gonna hold your hand<br \/>\nSlide down the banister, go get your coat<br \/>\nFerry &#8216;cross the Mersey and go for the throat<br \/>\nThere&#8217;s three bums comin&#8217; all dressed in rags<br \/>\nPick up the pieces and lower the flags<br \/>\nI&#8217;m goin&#8217; to Woodstock, it&#8217;s the Aquarian Age<br \/>\nThen I&#8217;ll go to Altamont and sit near the stage<br \/>\nPut your head out the window, let the good times roll<br \/>\nThere&#8217;s a party goin&#8217; on behind the Grassy Knoll<br \/>\nStack up the bricks, pour the cement<br \/>\nDon&#8217;t say Dallas don&#8217;t love you, Mr. President<br \/>\nPut your foot in the tank and step on the gas<br \/>\nTry to make it to the triple underpass<br \/>\nBlackface singer, whiteface clown<br \/>\nBetter not show your faces after the sun goes down<br \/>\nI&#8217;m in the red-light district, like a cop on the beat<br \/>\nLivin&#8217; in a nightmare on Elm Street<br \/>\nWhen you&#8217;re down in Deep Ellum, put your money in your shoe<br \/>\nDon&#8217;t ask what your country can do for you<br \/>\nCash on the barrelhead, money to burn<br \/>\nDealey Plaza, make a left-hand turn<br \/>\nI&#8217;m goin&#8217; down to the crossroads, gonna flag a ride<br \/>\nThe place where faith, hope, and charity died<br \/>\nShoot him while he runs, boy, shoot him while you can<br \/>\nSee if you can shoot the invisible man<br \/>\nGoodbye, Charlie, goodbye, Uncle Sam<br \/>\nFrankly, Miss Scarlet, I don&#8217;t give a damn<br \/>\nWhat is the truth, and where did it go?<br \/>\nAsk Oswald and Ruby, they oughta know<br \/>\n\u00abShut your mouth, \u00bb said the wise old owl<br \/>\nBusiness is business, and it&#8217;s a murder most foul<\/div>\n<div class=\"ujudUb xpdxpnd\" data-mh=\"840\" data-mhc=\"1\">Tommy, can you hear me? I&#8217;m the Acid Queen<br \/>\nI&#8217;m riding in a long, black Lincoln limousine<br \/>\nRiding in the backseat next to my wife<br \/>\nHeading straight on in to the afterlife<br \/>\nI&#8217;m leaning to the left, I got my head in her lap<br \/>\nHold on, I&#8217;ve been led into some kind of a trap<br \/>\nWhere we ask no quarter, and no quarter do we give<br \/>\nWe&#8217;re right down the street from the street where you live<br \/>\nThey mutilated his body and they took out his brain<br \/>\nWhat more could they do? They piled on the pain<br \/>\nBut his soul&#8217;s not there where it was supposed to be at<br \/>\nFor the last fifty years they&#8217;ve been searchin&#8217; for that<br \/>\nFreedom, oh freedom, freedom over me<br \/>\nI hate to tell you, mister, but only dead men are free<br \/>\nSend me some lovin&#8217;, tell me no lies<br \/>\nThrow the gun in the gutter and walk on by<br \/>\nWake up, little Suzie, let&#8217;s go for a drive<br \/>\nCross the Trinity River, let&#8217;s keep hope alive<br \/>\nTurn the radio on, don&#8217;t touch the dials<br \/>\nParkland hospital, only six more miles<br \/>\nYou got me dizzy, Miss Lizzy, you filled me with lead<br \/>\nThat magic bullet of yours has gone to my head<br \/>\nI&#8217;m just a patsy like Patsy Cline<br \/>\nNever shot anyone from in front or behind<br \/>\nGot blood in my eye, got blood in my ear<br \/>\nI&#8217;m never gonna make it to the new frontier<br \/>\nZapruder&#8217;s film, I&#8217;ve seen that before<br \/>\nSeen it thirty-three times, maybe more<br \/>\nIt&#8217;s vile and deceitful, it&#8217;s cruel and it&#8217;s mean<br \/>\nUgliest thing that you ever have seen<br \/>\nThey killed him once and they killed him twice<br \/>\nKilled him like a human sacrifice<br \/>\nThe day that they killed him, someone said to me, \u00abSon<br \/>\nThe age of the Antichrist has just only begun\u00bb<br \/>\nAir Force One comin&#8217; in through the gate<br \/>\nJohnson sworn in at 2:38<br \/>\nLet me know when you decide to throw in the towel<br \/>\nIt is what it is, and it&#8217;s murder most foul<\/div>\n<div class=\"ujudUb xpdxpnd\" data-mh=\"398\" data-mhc=\"1\">What&#8217;s new, pussycat? What&#8217;d I say?<br \/>\nI said the soul of a nation been torn away<br \/>\nAnd it&#8217;s beginning to go into a slow decay<br \/>\nAnd that it&#8217;s thirty-six hours past Judgment Day<br \/>\nWolfman Jack, he&#8217;s speaking in tongues<br \/>\nHe&#8217;s going on and on at the top of his lungs<br \/>\nPlay me a song, Mr. Wolfman Jack<br \/>\nPlay it for me in my long Cadillac<br \/>\nPlay me that, \u00abOnly The Good Die Young\u00bb<br \/>\nTake me to the place Tom Dooley was hung<br \/>\nPlay, \u00abSt. James Infirmary\u00bb and, \u00abThe Port of King James\u00bb<br \/>\nIf you want to remember, you better write down the names<br \/>\nPlay Etta James, too, play \u00abI&#8217;d Rather Go Blind\u00bb<br \/>\nPlay it for the man with the telepathic mind<br \/>\nPlay John Lee Hooker, play \u00abScratch My Back\u00bb<br \/>\nPlay it for that strip club owner named Jack<br \/>\nGuitar Slim going down slow<br \/>\nPlay it for me and for Marilyn Monroe<\/div>\n<div class=\"ujudUb xpdxpnd\" data-mh=\"752\" data-mhc=\"1\">Play, \u00abPlease Don&#8217;t Let Me Be Misunderstood\u00bb<br \/>\nPlay it for the First Lady, she ain&#8217;t feeling any good<br \/>\nPlay Don Henley, play Glenn Frey<br \/>\nTake it to the limit and let it go by<br \/>\nPlay it for Carl Wilson, too<br \/>\nLooking far, far away down Gower Avenue<br \/>\nPlay, \u00abTragedy\u00bb play, \u00abTwilight Time\u00bb<br \/>\nTake me back to Tulsa to the scene of the crime<br \/>\nPlay another one and, \u00abAnother One Bites the Dust\u00bb<br \/>\nPlay, \u00abThe Old Rugged Cross\u00bb and, \u00abIn God We Trust\u00bb<br \/>\nRide the pink horse down that long, lonesome road<br \/>\nStand there and wait for his head to explode<br \/>\nPlay, \u00abMystery Train\u00bb for Mr. Mystery<br \/>\nThe man who fell down dead like a rootless tree<br \/>\nPlay it for the Reverend, play it for the Pastor<br \/>\nPlay it for the dog that got no master<br \/>\nPlay Oscar Peterson, play Stan Getz<br \/>\nPlay, \u00abBlue Sky\u00bb, play Dickey Betts<br \/>\nPlay Hot Pepper, Thelonious Monk<br \/>\nCharlie Parker and all that junk<br \/>\nAll that junk and, \u00abAll That Jazz\u00bb<br \/>\nPlay something for the Birdman of Alcatraz<br \/>\nPlay Buster Keaton, play Harold Lloyd<br \/>\nPlay Bugsy Siegel, play Pretty Boy Floyd<br \/>\nPlay the numbers , play the odds<br \/>\nPlay, \u00abCry Me A River\u00bb for the Lord of the gods<br \/>\nPlay Number Nine, play Number Six<br \/>\nPlay it for Lindsey and Stevie Nicks<br \/>\nPlay Nat King Cole, play, \u00abNature Boy\u00bb<br \/>\nPlay, \u00abDown In The Boondocks\u00bb for Terry Malloy<br \/>\nPlay, \u00abIt Happened One Night\u00bb and, \u00abOne Night of Sin\u00bb<br \/>\nThere&#8217;s twelve million souls that are listening in<br \/>\nPlay, \u00abMerchant to Venice\u00bb play, \u00abMerchants of Death\u00bb<br \/>\nPlay, \u00abStella by Starlight\u00bb for Lady Macbeth<\/div>\n<div class=\"ujudUb WRZytc xpdxpnd\" data-mh=\"464\" data-mhc=\"1\">Don&#8217;t worry, Mr. President, help&#8217;s on the way<br \/>\nYour brothers are coming, there&#8217;ll be hell to pay<br \/>\nBrothers? What brothers? What&#8217;s this about hell?<br \/>\nTell them, \u00abWe&#8217;re waiting, keep coming\u00bb<br \/>\nWe&#8217;ll get them as well<br \/>\nLove Field is where his plane touched down<br \/>\nBut it never did get back up off the ground<br \/>\nWas a hard act to follow, second to none<br \/>\nThey killed him on the altar of the rising sun<br \/>\nPlay, \u00abMisty\u00bb for me and, \u00abThat Old Devil Moon\u00bb<br \/>\nPlay, \u00abAnything Goes\u00bb and, \u00abMemphis in June\u00bb<br \/>\nPlay, \u00abLonely At the Top\u00bb and, \u00abLonely Are the Brave\u00bb<br \/>\nPlay it for Houdini spinning around his grave<br \/>\nPlay Jelly Roll Morton, play, \u00abLucille\u00bb<br \/>\nPlay, \u00abDeep In a Dream\u00bb and play \u00abDriving Wheel\u00bb<br \/>\nPlay, \u00abMoonlight Sonata\u00bb in F-sharp<br \/>\nAnd, \u00abA Key To The Highway\u00bb for the king of the harp<br \/>\nPlay, \u00abMarching Through Georgia\u00bb and, \u00abDumbaroton&#8217;s Drums\u00bb<br \/>\nPlay, \u00abDarkness\u00bb and death will come when it comes<br \/>\nPlay, \u00abLove Me Or Leave Me\u00bb by the great Bud Powell<br \/>\nPlay, \u00abThe Blood-stained Banner\u00bb play, \u00abMurder Most Foul\u00bb<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":82,"featured_media":40090,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[79,87],"tags":[210,407,557],"class_list":["post-40082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-music","tag-benning","tag-dylan","tag-nick-cave"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2021\/01\/benning.png","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-aqu","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42997,"url":"https:\/\/www.edder.org\/?p=42997","url_meta":{"origin":40082,"position":0},"title":"Futbolmarianismo y regionalcatolicismo de los siglos XX y XXI","author":"Eder","date":"mi\u00e9rcoles, 21 Ago, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abPrehistoria contempor\u00e1nea\u00bb","block_context":{"text":"Prehistoria contempor\u00e1nea","link":"https:\/\/www.edder.org\/?cat=90"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":41322,"url":"https:\/\/www.edder.org\/?p=41322","url_meta":{"origin":40082,"position":1},"title":"Dylan 65 Revisited","author":"Eder","date":"viernes, 9 Dic, 2022","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/12\/bferry.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/12\/bferry.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/12\/bferry.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/12\/bferry.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":41554,"url":"https:\/\/www.edder.org\/?p=41554","url_meta":{"origin":40082,"position":2},"title":"Dylaniana. 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