{"id":3423,"date":"2013-12-29T10:52:40","date_gmt":"2013-12-29T09:52:40","guid":{"rendered":"https:\/\/www.edder.org\/?p=3423"},"modified":"2013-12-29T10:52:40","modified_gmt":"2013-12-29T09:52:40","slug":"grandes-almacenes-por-frederick-wiseman","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=3423","title":{"rendered":"Grandes almacenes (por Frederick Wiseman)"},"content":{"rendered":"<p>The Store:<\/p>\n<p style=\"text-align: center;\"><div class=\"video-shortcode\"><iframe title=\"Grandes almacenes\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/QGlwET6Q6ow?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Store:<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[79],"tags":[319],"class_list":["post-3423","post","type-post","status-publish","format-standard","hentry","category-cine","tag-wiseman"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-Td","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":11797,"url":"https:\/\/www.edder.org\/?p=11797","url_meta":{"origin":3423,"position":0},"title":"Cotill\u00f3n hacia 1960 (cuando Olmi invent\u00f3 a Kaurism\u00e4ki)","author":"Eder","date":"domingo, 21 Jun, 2015","format":false,"excerpt":"Cotill\u00f3n hacia 1960, o de cuando Ermanno Olmi invent\u00f3 el cine de Aki Kaurism\u00e4ki: \u00a0 \u00a0 + Christmas movies @t edder.org: Navidad en Cherburgo: \u00a0 Cuidado con ese Papa No\u00ebl: \u00a0 Feliz 1977: \u00a0 Feliz 1950: \u00a0 Sei bellissima: \u00a0 Grandes almacenes: \u00a0 El final de un d\u00eda perfecto: \u00a0\u2026","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/06\/cotillon.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":12261,"url":"https:\/\/www.edder.org\/?p=12261","url_meta":{"origin":3423,"position":1},"title":"National Gallery: excedencia permanente","author":"Eder","date":"lunes, 7 Sep, 2015","format":false,"excerpt":"La depredaci\u00f3n neoliberal ronda ahora por los museos p\u00fablicos, como la National Gallery de Londres, donde los empleados, entre los que se cuentra la protagonista del siguiente v\u00eddeo \u2013debido a Frederick Wiseman\u2013, est\u00e1n en serio peligro de encontrarse pronto en lo que aquel personaje de Jean Renoir llamaba eufem\u00edsticamente una\u2026","rel":"","context":"En \u00abSin categorizar\u00bb","block_context":{"text":"Sin categorizar","link":"https:\/\/www.edder.org\/?cat=1"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/09\/guia.gif?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/09\/guia.gif?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/09\/guia.gif?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":13607,"url":"https:\/\/www.edder.org\/?p=13607","url_meta":{"origin":3423,"position":2},"title":"Mojados del R\u00edo Grande (qu\u00e9 r\u00edo tan chiquito)","author":"Eder","date":"martes, 23 May, 2017","format":false,"excerpt":"\u00d3diame, por piedad yo te lo pido \u00d3diame sin medida ni clemencia Hoy no quiero m\u00e1s que indiferencia porque el rencor quiere menos que el olvido. 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