{"id":2205,"date":"2011-12-09T19:00:08","date_gmt":"2011-12-09T18:00:08","guid":{"rendered":"https:\/\/www.edder.org\/?p=2205"},"modified":"2018-07-27T16:37:22","modified_gmt":"2018-07-27T14:37:22","slug":"je-vous-salue-jean-luc-by-d-kern","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=2205","title":{"rendered":"Je vous salue, Jean-Luc (by D. Kern)"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"\" class=\"lazyload aligncenter\" height=\"400\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27600%27%20height%3D%27400%27%20viewBox%3D%270%200%20600%20400%27%3E%3Crect%20width%3D%27600%27%20height%3D%27400%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/grunewald.jpg\" width=\"600\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Just in time for holiday giving, Olive Films has at last released an American edition of Jean-Luc Godard&rsquo;s decades-in-the-making (or at least, decades-in-the-rights-clearing) &ldquo;Histoire(s) du cinema&rdquo; &mdash; 266 minutes of Godardian goodness assembled from a dizzying array of sources cinematic, literary, musical and painterly. Flashes of lightning like coherence burst through billowing cloud banks of Godardian obscurity over the course of eight episodes. While the sage of Switzerland may not always have his facts straight (did you know that Erich Pommer founded Universal?), the project is a magnificent non-linear journey across the 20th century, occasionally touching on movies but just as often occupied with the moral paradoxes of Western culture &mdash; its highs (&ldquo;Some Came Running&rdquo;) and lows (Sarajevo).<\/p>\n<p>I can&rsquo;t imagine that there will ever be a definitive critical account of this sprawling, brilliantly associative, impossibly dense work, and while I certainly don&rsquo;t have one to offer in this week&rsquo;s New York Times column, I do have a few elementary observations, which can be found<a href=\"http:\/\/www.nytimes.com\/2011\/12\/04\/movies\/homevideo\/new-on-dvd-jean-luc-godards-histoire-s-du-cinema.html\" target=\"blank\"> here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Just in time for holiday giving, Olive Films has at last released an American edition of Jean-Luc Godard&rsquo;s decades-in-the-making (or at least, decades-in-the-rights-clearing) &ldquo;Histoire(s) du cinema&rdquo; &mdash; 266 minutes of Godardian goodness assembled from a dizzying array of sources cinematic, literary, musical and painterly. Flashes of lightning like coherence burst through billowing cloud banks of Godardian obscurity over the course of eight episodes. While the sage of Switzerland may not always have his facts straight (did you know that Erich Pommer founded Universal?), the project is a magnificent non-linear journey across the 20th century, occasionally touching on movies but just as often occupied with the moral paradoxes of Western culture &mdash; its highs (&ldquo;Some Came Running&rdquo;) and lows (Sarajevo). I can&rsquo;t imagine that there will ever  [&#8230;]<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[79],"tags":[],"class_list":["post-2205","post","type-post","status-publish","format-standard","hentry","category-cine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-zz","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":15349,"url":"https:\/\/www.edder.org\/?p=15349","url_meta":{"origin":2205,"position":0},"title":"Mezclando vientos (a la espera de tempestades)","author":"Eder","date":"domingo, 8 Sep, 2019","format":false,"excerpt":"Vientos mezclados por J. Eder con la inestimable colaboraci\u00f3n de Dita Parlo, Lillian Gish, Barbara Standwyck, Maruschka Detmers, Shelley Winters, Marianne Faithfull, Jean-Pierre L\u00e9aud, Jean Vigo, Samuel Fuller, Jean-Luc Godard, Jacques Doillon, James Steward, and last but not least, Daya. \u00a0 \u00a0","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/09\/Screenshot-2019-09-08-at-23.37.32.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11677,"url":"https:\/\/www.edder.org\/?p=11677","url_meta":{"origin":2205,"position":1},"title":"Agradecimiento de J-L. Godard","author":"Eder","date":"lunes, 18 May, 2015","format":false,"excerpt":"Palabras de Jean-Luc Godard en agradecimiento por la concesi\u00f3n del Premio de Honor del Cine Suizo (pese a la inexistencia de semejante entelequia):","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/05\/godard.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":42472,"url":"https:\/\/www.edder.org\/?p=42472","url_meta":{"origin":2205,"position":2},"title":"Ne change rien pour que tout soit diff\u00e9rent","author":"Eder","date":"jueves, 7 Mar, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/03\/balibar.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/03\/balibar.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/03\/balibar.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/03\/balibar.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1431,"url":"https:\/\/www.edder.org\/?p=1431","url_meta":{"origin":2205,"position":3},"title":"Una lista de Susan Sontag","author":"Eder","date":"mi\u00e9rcoles, 9 Feb, 2011","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1255,"url":"https:\/\/www.edder.org\/?p=1255","url_meta":{"origin":2205,"position":4},"title":"Navajo","author":"Eder","date":"viernes, 26 Nov, 2010","format":false,"excerpt":"Ahora no recuerdo lo que John Ford \u2013conocido por los indios de Utah como Natani Nez, \u201cel jefe alto\u201d\u2013 dec\u00eda de los navajos. Ya me acordar\u00e9. Jean-Luc Godard, cuya vida guarden los dioses de las praderas muchos a\u00f1os y que la pr\u00f3xima semana cumplir\u00e1 los 90, ha sacado en su\u2026","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":41262,"url":"https:\/\/www.edder.org\/?p=41262","url_meta":{"origin":2205,"position":5},"title":"Jean-Marie Straub (1933-2022)","author":"Eder","date":"domingo, 20 Nov, 2022","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/11\/straub.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/2205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2205"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/2205\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}