{"id":1918,"date":"2011-06-01T21:32:42","date_gmt":"2011-06-01T20:32:42","guid":{"rendered":"https:\/\/www.edder.org\/?p=1918"},"modified":"2011-06-01T21:40:26","modified_gmt":"2011-06-01T20:40:26","slug":"gill-scott-heron-1949-2011","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=1918","title":{"rendered":"Gil Scott-Heron, 1949-2011"},"content":{"rendered":"<p><strong>La revoluci&oacute;n no ser&aacute; televisada<\/strong> (1970)<\/p>\n<a href=\"http:\/\/www.youtube.com\/watch?v=rGaRtqrlGy8\">http:\/\/www.youtube.com\/watch?v=rGaRtqrlGy8<\/a>\n<p>&nbsp;<\/p>\n<p>No te podr&aacute;s quedar en casa, hermano<br \/>\n\tNo podr&aacute;s enchufar, encender y desenchufar<br \/>\n\tNo podr&aacute;s perderte en la hero&iacute;na y evadirte<br \/>\n\tNi ir a por una cerveza durante los anuncios<br \/>\n\tPorque la revoluci&oacute;n no ser&aacute; televisada<\/p>\n<p>La revoluci&oacute;n no ser&aacute; televisada<br \/>\n\tLa revoluci&oacute;n no te llegar&aacute; por Xerox<br \/>\n\tEn cuatro partes, sin interrupciones de los anuncios<br \/>\n\tLa revoluci&oacute;n no te mostrar&aacute; im&aacute;genes de Nixon<br \/>\n\tTocando una corneta y dirigiendo una acusaci&oacute;n contra<br \/>\n\tJohn Mitchell, General Abrams y Spiro Agnew con tal de comerse<br \/>\n\tUnas morcillas confiscadas en un santuario de Harlem<br \/>\n\tLa revoluci&oacute;n no ser&aacute; televisada<\/p>\n<p>La revoluci&oacute;n no te llegar&aacute; por el<br \/>\n\tSchaefer Award Theatre, ni por las estrellas Natalie<br \/>\n\tWoods o Steve McQueen, ni Bullwinkle y Julia.<br \/>\n\tLa revoluci&oacute;n no le dar&aacute; sex appeal a tu boca<br \/>\n\tLa revoluci&oacute;n no te quitar&aacute; las agujetas<br \/>\n\tLa revoluci&oacute;n no te har&aacute; lucir cinco libras m&aacute;s delgado<br \/>\n\tporque la revoluci&oacute;n no ser&aacute; televisada, hermano.<\/p>\n<div>&nbsp;<\/div>\n<div>No habr&aacute; im&aacute;genes de Willie Mays y t&uacute;<\/div>\n<div>Empujando aquel carrito de compras<\/div>\n<div>cuesta abajo en una carrera desesperada<br \/>\n\tO tratando de deslizar aquel televisor a colores<\/div>\n<div>dentro de una ambulancia robada<\/div>\n<div>&nbsp;<\/div>\n<div>La NBC no podr&aacute; predecir el ganador a las 8:32<\/div>\n<p>Ni informar desde 29 distritos<br \/>\n\tLa revoluci&oacute;n no ser&aacute; televisada<\/p>\n<p>No habr&aacute; im&aacute;genes de polic&iacute;as dispar&aacute;ndoles<br \/>\n\tA sus hermanos en <em>la repetici&oacute;n de la jugada.<\/em><br \/>\n\tNo habr&aacute; im&aacute;genes de polic&iacute;as dispar&aacute;ndoles<br \/>\n\tA sus hermanos en <em>la <\/em><em>repetici&oacute;n de la jugada.<\/em><br \/>\n\tNo habr&aacute; im&aacute;genes de Whitney Young siendo<br \/>\n\tsacado de Harlem en un vag&oacute;n con un nuevo procedimiento de etiqueta<br \/>\n\tNo habr&aacute; c&aacute;mara lenta ni instant&aacute;neas de Roy Wilkens<br \/>\n\tPatinando a trav&eacute;s de Watts en un liberador mono deportivo rojo, negro y verde<br \/>\n\tQue &eacute;l hab&iacute;a guardado justo para la ocasi&oacute;n propicia.<br \/>\n\tGreen Acres,The Hillbillies of Beverly y Hooterville Junction<br \/>\n\tNo ser&aacute;n m&aacute;s tan pu&ntilde;eteramente relevantes, y<br \/>\n\tLas mujeres no se interesar&aacute;n m&aacute;s por s&iacute; Dick finalmente estuvo de acuerdo<br \/>\n\tcon Jane en Search for Tomorrow porque los negros<br \/>\n\tEstar&aacute;n en la calle persiguiendo un d&iacute;a m&aacute;s brillante<br \/>\n\tLa revoluci&oacute;n no ser&aacute; televisada.<\/p>\n<p>No habr&aacute; titulares en el noticias de las once<br \/>\n\tNi tampoco im&aacute;genes de mujeres liberales con los brazos peludos<br \/>\n\tNi de Jackie Onassis son&aacute;ndose la nariz<br \/>\n\tEl tema de la canci&oacute;n no ser&aacute; escrito por Jim Web,<br \/>\n\tNi Francis Scott Key, ni ser&aacute; cantado por Glen Campbell, Tom<br \/>\n\tJones, Johnny Cash, Englebert Humperdink, o los Rare Earth<br \/>\n\tLa revoluci&oacute;n no ser&aacute; televisada.<\/p>\n<p>La revoluci&oacute;n no ocurrir&aacute; justo despu&eacute;s de una noticia<br \/>\n\tSobre un tornado blanco, un rel&aacute;mpago blanco o un hombre blanco<br \/>\n\tNo tendr&aacute;s que preocuparte por una paloma<br \/>\n\ten tu habitaci&oacute;n, ni por un tigre en tu maletero ni por un gigante en tu inodoro<br \/>\n\tLa revoluci&oacute;n no ser&aacute; mejor con Coca-Cola<br \/>\n\tLa revoluci&oacute;n no luchar&aacute; contra los g&eacute;rmenes que podr&iacute;an causar mal aliento<br \/>\n\tLa revoluci&oacute;n te pondr&aacute; en el asiento del conductor.<\/p>\n<p>La revoluci&oacute;n no ser&aacute; televisada.<br \/>\n\tNo ser&aacute; televisada, no ser&aacute; televisada<br \/>\n\tLa revoluci&oacute;n no se postular&aacute; otra vez<br \/>\n\tLa revoluci&oacute;n ser&aacute; emitida en directo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La revoluci&oacute;n no ser&aacute; televisada (1970) &nbsp; No te podr&aacute;s quedar en casa, hermano No podr&aacute;s enchufar, encender y desenchufar No podr&aacute;s perderte en la hero&iacute;na y evadirte Ni ir a por una cerveza durante los anuncios Porque la revoluci&oacute;n no ser&aacute; televisada La revoluci&oacute;n no ser&aacute; televisada La revoluci&oacute;n no te llegar&aacute; por Xerox En cuatro partes, sin interrupciones de los anuncios La revoluci&oacute;n no te mostrar&aacute; im&aacute;genes de Nixon Tocando una corneta y dirigiendo una acusaci&oacute;n contra John Mitchell, General Abrams y Spiro Agnew con tal de comerse Unas morcillas confiscadas en un santuario de Harlem La revoluci&oacute;n no ser&aacute; televisada La revoluci&oacute;n no te llegar&aacute; por el Schaefer Award Theatre, ni por las estrellas Natalie Woods o Steve McQueen, ni Bullwinkle y Julia. La  [&#8230;]<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[87],"tags":[],"class_list":["post-1918","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-uW","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4116,"url":"https:\/\/www.edder.org\/?p=4116","url_meta":{"origin":1918,"position":0},"title":"Son las adelitas de Revoluci\u00f3n","author":"Eder","date":"domingo, 25 Ene, 2015","format":false,"excerpt":"Corrido de las adelitas:","rel":"","context":"En \u00abM\u00fasica\u00bb","block_context":{"text":"M\u00fasica","link":"https:\/\/www.edder.org\/?cat=87"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/images\/adelitas.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":351,"url":"https:\/\/www.edder.org\/?p=351","url_meta":{"origin":1918,"position":1},"title":"Opereta","author":"Eder","date":"viernes, 1 May, 2009","format":false,"excerpt":"La revista Paris Match, en un s\u00fabito ataque de inclinaci\u00f3n mon\u00e1rquica \u2013si no de inclinaci\u00f3n humor\u00edstica\u2013, se tir\u00f3 ayer a la calle con un titular que hablaba de la majestuosidad de Carla a su paso por la corte de Espa\u00f1a. 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