{"id":1685,"date":"2011-04-13T17:13:46","date_gmt":"2011-04-13T16:13:46","guid":{"rendered":"https:\/\/www.edder.org\/?p=1685"},"modified":"2018-07-27T16:37:28","modified_gmt":"2018-07-27T14:37:28","slug":"goya-hacia-1941","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=1685","title":{"rendered":"Goya hacia 1941 (nuevos desastres)"},"content":{"rendered":"<p>21 de noviembre de 1941. Prisionero sovi&eacute;tico intenta reanimar a un compa&ntilde;ero quiz&aacute; ya muerto ante la mirada de sus captores.<\/p>\n<p><img decoding=\"async\" alt=\"\" class=\"lazyload alignnone\" height=\"911\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27624%27%20height%3D%27911%27%20viewBox%3D%270%200%20624%20911%27%3E%3Crect%20width%3D%27624%27%20height%3D%27911%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/goya1941.jpg\" title=\"Desastres\" width=\"624\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Goya, &laquo;Aqu&iacute; tampoco&raquo;, <a href=\"http:\/\/es.wikipedia.org\/wiki\/Los_desastres_de_la_guerra\" target=\"_blank\"><em>Los desastres de la guerra<\/em><\/a> (hacia 1810-15):<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" alt=\"\" class=\"lazyload aligncenter\" height=\"438\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27570%27%20height%3D%27438%27%20viewBox%3D%270%200%20570%20438%27%3E%3Crect%20width%3D%27570%27%20height%3D%27438%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/goya_tampoco.jpg\" title=\"Tampoco\" width=\"570\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>21 de noviembre de 1941. Prisionero sovi&eacute;tico intenta reanimar a un compa&ntilde;ero quiz&aacute; ya muerto ante la mirada de sus captores. &nbsp; Goya, &laquo;Aqu&iacute; tampoco&raquo;, Los desastres de la guerra (hacia 1810-15):<\/p>\n","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[153],"class_list":["post-1685","post","type-post","status-publish","format-standard","hentry","category-sin-categorizar","tag-goya"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-rb","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1812,"url":"https:\/\/www.edder.org\/?p=1812","url_meta":{"origin":1685,"position":0},"title":"Goya hacia 1918","author":"Eder","date":"martes, 3 May, 2011","format":false,"excerpt":"En alg\u00fan lugar de Francia hacia 1918: \u00a0 Goya, \u00abPor una navaja\u00bb, Los desastres de la guerra (hacia 1810-15):","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/edder.org\/images\/traidor.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/edder.org\/images\/traidor.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/edder.org\/images\/traidor.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1809,"url":"https:\/\/www.edder.org\/?p=1809","url_meta":{"origin":1685,"position":1},"title":"Goya 2011","author":"Eder","date":"lunes, 2 May, 2011","format":false,"excerpt":"En alg\u00fan lugar de Libia ahora mismo: \u00a0 Goya, \u00abEnterrar y callar\u00bb, Los desastres de la guerra (hacia 1810-15):","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/edder.org\/images\/enterrar2.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/edder.org\/images\/enterrar2.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/edder.org\/images\/enterrar2.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":40976,"url":"https:\/\/www.edder.org\/?p=40976","url_meta":{"origin":1685,"position":2},"title":"Desastres de la guerra: Larisa Shepitko, cineasta ucraniano-sovi\u00e9tica","author":"Eder","date":"viernes, 8 Abr, 2022","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/04\/desastres.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/04\/desastres.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/04\/desastres.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/04\/desastres.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":107,"url":"https:\/\/www.edder.org\/?p=107","url_meta":{"origin":1685,"position":3},"title":"Jorge Oteiza. El hombre de Lascaux","author":"Eder","date":"viernes, 24 Ago, 2007","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2007\/08\/oteiza_lascaux.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2007\/08\/oteiza_lascaux.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2007\/08\/oteiza_lascaux.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2007\/08\/oteiza_lascaux.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2007\/08\/oteiza_lascaux.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3938,"url":"https:\/\/www.edder.org\/?p=3938","url_meta":{"origin":1685,"position":4},"title":"En el front\u00f3n hacia 1941","author":"Eder","date":"domingo, 21 Dic, 2014","format":false,"excerpt":"1941 o 1942:","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":214,"url":"https:\/\/www.edder.org\/?p=214","url_meta":{"origin":1685,"position":5},"title":"Para una galer\u00eda de \u201cricos hommes del Reyno\u201d","author":"Eder","date":"viernes, 26 Dic, 2008","format":false,"excerpt":"","rel":"","context":"En \u00abNA\u00bb","block_context":{"text":"NA","link":"https:\/\/www.edder.org\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/1685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1685"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/1685\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}