{"id":14047,"date":"2018-04-01T13:24:29","date_gmt":"2018-04-01T11:24:29","guid":{"rendered":"https:\/\/www.edder.org\/?p=14047"},"modified":"2018-05-02T20:44:13","modified_gmt":"2018-05-02T18:44:13","slug":"ventana-de-oportunidad-window-of-opportunity","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=14047","title":{"rendered":"Ventana de oportunidad (Window of opportunity)"},"content":{"rendered":"<p>Recordando o remedando a Jos&eacute; Blanco White &ndash;el de &laquo;&iexcl;Ay de la madre cuyo hijo no escriba en Espa&ntilde;a!&raquo;&ndash;: &iexcl;ay de la madre del intelectual, columnista, periodista o simple oportunista espa&ntilde;ol que no sazone su discurso con el t&oacute;pico del momento: &laquo;ventana de oportunidad&raquo;!, que vendr&aacute; del ingl&eacute;s, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Window_of_opportunity\" target=\"_blank\">window of opportunity<\/a>.<br \/>\n\tHe o&iacute;do esta ma&ntilde;ana &ndash;la SER&ndash; como incurr&iacute;a en tan transitado lugar com&uacute;n un profesor de universidad que hablaba sobre el nuevo libro de Ignacio S&aacute;nchez Cuenca &ndash;cuyo diagn&iacute;stico sobre la vida intelectual espa&ntilde;ola me parecen bien, siempre que a continuaci&oacute;n no se caiga en el oportunismo del qu&iacute;tate t&uacute; para ponerme yo: siempre que el diagn&iacute;stico no se use como una &laquo;ventana de oportunidad&raquo; para medrar y subir en el escalaf&oacute;n; siempre que no se trate de substituir el blablabl&aacute; de las tertulias por la jerigonza acad&eacute;mica&ndash;&hellip; Pero para ventana de oportunidad (en este caso, segunda oportunidad), la que se le abr&iacute;a a Louis Garrel, frente a Chiara Mastroiani, en aquella pel&iacute;cula que llevaba por t&iacute;tulo <em>Non ma fille, tu n&#39;iras pas danser<\/em>, aqu&iacute; rebautizada como <em>Haciendo planes para Lena<\/em>:<\/p>\n<p style=\"text-align: center;\"><div style=\"width: 1200px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-14047-1\" width=\"1200\" height=\"675\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"http:\/\/edder.org\/movies\/ventana_oportunidad.m4v?_=1\" \/><a href=\"http:\/\/edder.org\/movies\/ventana_oportunidad.m4v\">http:\/\/edder.org\/movies\/ventana_oportunidad.m4v<\/a><\/video><\/div><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size:8px;\">[01.03.2018]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Recordando o remedando a Jos&eacute; Blanco White &ndash;el de &laquo;&iexcl;Ay de la madre cuyo hijo no escriba en Espa&ntilde;a!&raquo;&ndash;: &iexcl;ay de la madre del intelectual, columnista, periodista o simple oportunista espa&ntilde;ol que no sazone su discurso con el t&oacute;pico del momento: &laquo;ventana de oportunidad&raquo;!, que vendr&aacute; del ingl&eacute;s, window of opportunity. He o&iacute;do esta ma&ntilde;ana &ndash;la SER&ndash; como incurr&iacute;a en tan transitado lugar com&uacute;n un profesor de universidad que hablaba sobre el nuevo libro de Ignacio S&aacute;nchez Cuenca &ndash;cuyo diagn&iacute;stico sobre la vida intelectual espa&ntilde;ola me parecen bien, siempre que a continuaci&oacute;n no se caiga en el oportunismo del qu&iacute;tate t&uacute; para ponerme yo: siempre que el diagn&iacute;stico no se use como una &laquo;ventana de oportunidad&raquo; para medrar y subir en el escalaf&oacute;n; siempre que no se  [&#8230;]<\/p>\n","protected":false},"author":82,"featured_media":14051,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[79,485],"tags":[15,608],"class_list":["post-14047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-postal-expres","tag-phillipe-garrel","tag-mastroiani"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2018\/04\/non_ma_fille_tu_n_iras_pas_danser-790048723-large.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3Ez","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42965,"url":"https:\/\/www.edder.org\/?p=42965","url_meta":{"origin":14047,"position":0},"title":"Charlie Chaplin, por Grigori K\u00f3zintsev","author":"Eder","date":"mi\u00e9rcoles, 7 Ago, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin4.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin4.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin4.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/chaplin4.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4112,"url":"https:\/\/www.edder.org\/?p=4112","url_meta":{"origin":14047,"position":1},"title":"En la carretera de Sintra, como en un film de Godard","author":"Eder","date":"s\u00e1bado, 24 Ene, 2015","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12526,"url":"https:\/\/www.edder.org\/?p=12526","url_meta":{"origin":14047,"position":2},"title":"Nadie vio caer a \u00cdcaro","author":"Eder","date":"domingo, 18 Oct, 2015","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/10\/Captura-de-pantalla-2015-10-18-a-las-23.19.12.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/10\/Captura-de-pantalla-2015-10-18-a-las-23.19.12.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/10\/Captura-de-pantalla-2015-10-18-a-las-23.19.12.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/10\/Captura-de-pantalla-2015-10-18-a-las-23.19.12.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/10\/Captura-de-pantalla-2015-10-18-a-las-23.19.12.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":14808,"url":"https:\/\/www.edder.org\/?p=14808","url_meta":{"origin":14047,"position":3},"title":"Nana en blanco y negro","author":"Eder","date":"s\u00e1bado, 11 Ago, 2018","format":false,"excerpt":"Nana en blanco y negro por Josef von Sternberg. 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Eso es todo. No se sabe cu\u00e1ndo ni d\u00f3nde. En las emocionantes fotograf\u00edas de primera plana de los peri\u00f3dicos de ayer el arte est\u00e1 ocurriendo. Nada menos. Veamos esas fotograf\u00edas, reproducidas a tres, cuatro, cinco columnas. El tema de las mismas es tan viejo como el\u2026","rel":"","context":"En \u00abSin categorizar\u00bb","block_context":{"text":"Sin categorizar","link":"https:\/\/www.edder.org\/?cat=1"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/14047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14047"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/14047\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/media\/14051"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}