{"id":13523,"date":"2017-04-10T23:09:19","date_gmt":"2017-04-10T21:09:19","guid":{"rendered":"https:\/\/www.edder.org\/?p=13523"},"modified":"2019-11-03T15:47:09","modified_gmt":"2019-11-03T14:47:09","slug":"boquitas-pintadas-de-rojo-carmesi","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=13523","title":{"rendered":"Boquitas pintadas de rojo carmes\u00ed"},"content":{"rendered":"<p>Antes de la <em>nouvelle vague<\/em> hubo cineastas como Gr&eacute;ville, que hac&iacute;a im&aacute;genes en los 50 (en cualquier p&aacute;is, en cualquier lengua) como las hab&iacute;a hecho en los 30, siguiendo la estela de los innovadores de los 20, antes de que el cine rompiera a hablar y ya no callara. Im&aacute;genes de Gr&eacute;ville en los a&ntilde;os 30 (la m&uacute;sica que las acompa&ntilde;a pudiera ser suya):<\/p>\n<p style=\"text-align: center;\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div style=\"width: 1200px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-13523-1\" width=\"1200\" height=\"675\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"http:\/\/edder.org\/movies\/boquitas.m4v?_=1\" \/><a href=\"http:\/\/edder.org\/movies\/boquitas.m4v\">http:\/\/edder.org\/movies\/boquitas.m4v<\/a><\/video><\/div>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img class=\"lazyload\" decoding=\"async\" alt=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"http:\/\/edder.org\/images\/puig.jpg\" style=\"width: 657px; height: 972px;\" \/><\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Antes de la nouvelle vague hubo cineastas como Gr&eacute;ville, que hac&iacute;a im&aacute;genes en los 50 (en cualquier p&aacute;is, en cualquier lengua) como las hab&iacute;a hecho en los 30, siguiendo la estela de los innovadores de los 20, antes de que el cine rompiera a hablar y ya no callara. Im&aacute;genes de Gr&eacute;ville en los a&ntilde;os 30 (la m&uacute;sica que las acompa&ntilde;a pudiera ser suya):<\/p>\n","protected":false},"author":82,"featured_media":13524,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[85,79,93],"tags":[552,553],"class_list":["post-13523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes","category-cine","category-letras","tag-greville","tag-puig"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3w7","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1255,"url":"https:\/\/www.edder.org\/?p=1255","url_meta":{"origin":13523,"position":0},"title":"Navajo","author":"Eder","date":"viernes, 26 Nov, 2010","format":false,"excerpt":"Ahora no recuerdo lo que John Ford \u2013conocido por los indios de Utah como Natani Nez, \u201cel jefe alto\u201d\u2013 dec\u00eda de los navajos. Ya me acordar\u00e9. Jean-Luc Godard, cuya vida guarden los dioses de las praderas muchos a\u00f1os y que la pr\u00f3xima semana cumplir\u00e1 los 90, ha sacado en su\u2026","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":13119,"url":"https:\/\/www.edder.org\/?p=13119","url_meta":{"origin":13523,"position":1},"title":"Viento de Lampedusa","author":"Eder","date":"jueves, 28 Jul, 2016","format":false,"excerpt":"Viento de Lampedusa o el horror de la balsa de la Medusa d\u00eda tras d\u00eda. Im\u00e1genes, Gianfranco Rosi. \u00a0","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2016\/07\/medusa.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":14951,"url":"https:\/\/www.edder.org\/?p=14951","url_meta":{"origin":13523,"position":2},"title":"Unos buenos amigos llamados diamantes","author":"Eder","date":"viernes, 4 Ene, 2019","format":false,"excerpt":"Los diamantes \u2013no la bisuter\u00eda\u2013 son la mejor compa\u00f1\u00eda de una chica. \u00a0 M\u00e1s im\u00e1genes de Vincente Minnelli y m\u00e1s sobre los Borbones: \u00a0","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/01\/charisse-0001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/01\/charisse-0001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/01\/charisse-0001.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/01\/charisse-0001.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/01\/charisse-0001.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":15311,"url":"https:\/\/www.edder.org\/?p=15311","url_meta":{"origin":13523,"position":3},"title":"El barbero de Pasolini","author":"Eder","date":"s\u00e1bado, 17 Ago, 2019","format":false,"excerpt":"El barbero de Pasolini o en la tumba de Pier Paolo Pasolini en Casarsa (Friuli-Venezia Giulia) con su barbero. Im\u00e1genes y di\u00e1logo: Sebastiano Adern\u00f2. \u00a0","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/08\/pasolini.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/08\/pasolini.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/08\/pasolini.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4271,"url":"https:\/\/www.edder.org\/?p=4271","url_meta":{"origin":13523,"position":4},"title":"Espadas flam\u00edgeras m\u00e1s all\u00e1 del este del Ed\u00e9n","author":"Eder","date":"lunes, 9 Mar, 2015","format":false,"excerpt":"The Maker, una canci\u00f3n de Daniel Lanois, tocada con Willie Nelson y Emmylou Harris. La filmaci\u00f3n de las im\u00e1genes fue dirigida por Wim Wenders. \u00a0","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/edder.org\/images\/maker.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/edder.org\/images\/maker.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/edder.org\/images\/maker.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":210,"url":"https:\/\/www.edder.org\/?p=210","url_meta":{"origin":13523,"position":5},"title":"Lo que cuesta una imagen","author":"Eder","date":"viernes, 12 Dic, 2008","format":false,"excerpt":"Barcina: entre pitos y flautas \u2013entre tambores y trompetas\u2013, alrededor de dos millones de presupuesto municipal en eso que ahora se llama imagen y antes \u2013antes de Goebbels y Riefenstahl\u2013 se llamaba propaganda. No s\u00e9 por qu\u00e9 hay quien considera a Riefenstahl una gran maestra del cine. El cine es\u2026","rel":"","context":"En \u00abNA\u00bb","block_context":{"text":"NA","link":"https:\/\/www.edder.org\/?cat=3"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2017\/04\/boquitas1.png","_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/13523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13523"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/13523\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/media\/13524"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}