{"id":13251,"date":"2016-09-02T19:11:35","date_gmt":"2016-09-02T18:11:35","guid":{"rendered":"https:\/\/www.edder.org\/?p=13251"},"modified":"2026-03-02T19:04:45","modified_gmt":"2026-03-02T18:04:45","slug":"los-caidos-presente","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=13251","title":{"rendered":"Los Ca\u00eddos: \u00ab\u00a1Presente!\u00bb"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-first fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;width:30.6666%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:42px;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-image-element fusion-image-align-center in-legacy-container\" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><div class=\"imageframe-align-center\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"142\" height=\"142\" title=\"myself2\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27142%27%20height%3D%27142%27%20viewBox%3D%270%200%20142%20142%27%3E%3Crect%20width%3D%27142%27%20height%3D%27142%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/www.edder.org\/upload\/2010\/11\/myself2.png\" alt class=\"lazyload img-responsive wp-image-46356\"\/><\/span><\/div><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:22px;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-1\" style=\"--awb-font-size:19px;\"><p style=\"text-align: center;\">Javier EDER<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;width:65.3333%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-2\" style=\"--awb-font-size:23px;\"><p>[Esta tarde, buscando otra cosa, la casualidad ha querido que encontrase este viejo art\u00edculo, parece que escrito en junio de 2002 y no s\u00e9 si publicado en <em>Diario de Noticias<\/em>. Ah\u00ed va esa reliquia\u00a0 en \u00abedici\u00f3n ilustrada\u00bb]<\/p>\n<p><img class=\"lazyload\" decoding=\"async\" style=\"width: 652px; height: 367px;\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"http:\/\/edder.org\/images\/kiefer\/kiefer01.jpg\" alt=\"\" \/><\/p>\n<p>Alentado por Joseph Beuys, el artista Anselm Kiefer ha dedicado su vida a pensar qu\u00e9 debe hacerse con monumentos como el de los Ca\u00eddos. Durante los a\u00f1os 60, cuando la socialdemocracia alemana decret\u00f3 que \u00abde esas cosas ya no se habla\u00bb, Kiefer expuso numerosas fotografias saludando a la romana. Esas fotografias estaban diciendo: \u00abDe esas cosas no se puede dejar de hablar\u00bb. En los 70, Kiefer llev\u00f3 a sus enormes pinturas las perspectivas centrales de los dibujos arquitect\u00f3nicos \u2013en estado de ruina\u2013 de Albert Speer, ministro de obras de Tercer Reich; perspectivas y dibujos de los que es deudor nuestro Monumento a los Ca\u00eddos \u2013\u00abNavarra a sus muertos de la Crvzada\u00bb\u2013, mole que impone su presencia central a la ciudad como punto de fuga del Ensanche. El mensaje de las monumentales y oper\u00edsticos edificaciones de Speer \u2013hecho suyo por Eusa en edificios como el Seminario o los Ca\u00eddos\u2013 es: <em>\u00ab\u00a1Presente!\u00bb<\/em>. En Pamplona, antes de que Eusa edificara el Seminario, ya un metal\u00fargico hab\u00eda contestado espontaneamente al decreto de Aza\u00f1a por el que se ordenaba apear los crucifijos de escuelas con el aparatoso <em>\u00ab\u00a1Presente!\u00bb<\/em> de la Plaza de la Cruz. Fue en 1983 cuando Anselm Kiefer pint\u00f3 <em>Sulamita<\/em>. La pintura representa el interior del modelo de monumento a los ca\u00eddos ideado por los nazis, s\u00f3lo que el pintor ha convertido ese interior en el de un horno crematorio vac\u00edo, en el que arden siete peque\u00f1as llamas por las v\u00edctimas del Tercer Reich. En esa pintura de Kiefer, que homenajea al poeta Paul Celan, est\u00e1 la respuesta a la pregunta de si la poes\u00eda \u2013el arte y en su caso qu\u00e9 arte\u2013 es posible despu\u00e9s de Auschwitz. La <em>Sulamita<\/em> de Kiefer dice que la memoria no se cancela por decerto ni prescribe a voluntad: de esas cosas se habla o vuelven cuando ya no hay tiempo de hablar.<\/p>\n<p><img class=\"lazyload\" decoding=\"async\" style=\"width: 652px; height: 370px;\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"http:\/\/edder.org\/images\/kiefer\/kiefer02.jpg\" alt=\"\" \/><\/p>\n<p><img class=\"lazyload\" decoding=\"async\" style=\"width: 652px; height: 427px;\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"http:\/\/edder.org\/images\/kiefer\/kiefer03.jpg\" alt=\"\" \/><\/p>\n<p>Entre otros art\u00edculos relacionados:<\/p>\n<p><a href=\"https:\/\/www.edder.org\/?p=12436\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800080;\">Anselm Kiefer: otras rehabilitaciones<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.edder.org\/?p=12365\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800080;\">En el mausoleo de Mola (marzo, 2003)<\/span><\/a><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":82,"featured_media":13252,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[492],"class_list":["post-13251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","tag-kiefer"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2016\/09\/caidos.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3rJ","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":43123,"url":"https:\/\/www.edder.org\/?p=43123","url_meta":{"origin":13251,"position":0},"title":"El amor (fou) en tiempos neum\u00e1ticos","author":"Eder","date":"lunes, 21 Oct, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":42997,"url":"https:\/\/www.edder.org\/?p=42997","url_meta":{"origin":13251,"position":1},"title":"Futbolmarianismo y regionalcatolicismo de los siglos XX y XXI","author":"Eder","date":"mi\u00e9rcoles, 21 Ago, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abPrehistoria contempor\u00e1nea\u00bb","block_context":{"text":"Prehistoria contempor\u00e1nea","link":"https:\/\/www.edder.org\/?cat=90"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":40290,"url":"https:\/\/www.edder.org\/?p=40290","url_meta":{"origin":13251,"position":2},"title":"La politesse","author":"Eder","date":"martes, 2 Mar, 2021","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2021\/03\/politesse.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2021\/03\/politesse.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2021\/03\/politesse.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2021\/03\/politesse.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":40255,"url":"https:\/\/www.edder.org\/?p=40255","url_meta":{"origin":13251,"position":3},"title":"Tucumcari (Nuevo M\u00e9xico, EE. 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