{"id":12980,"date":"2016-06-02T16:26:07","date_gmt":"2016-06-02T15:26:07","guid":{"rendered":"https:\/\/www.edder.org\/?p=12980"},"modified":"2016-06-02T16:26:27","modified_gmt":"2016-06-02T15:26:27","slug":"renoir-el-viento-cartas-de-america","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=12980","title":{"rendered":"Renoir, el viento, cartas de Am\u00e9rica"},"content":{"rendered":"<p>Lleg&oacute; el nuevo viento y con &eacute;l la primavera. Los alegres ritos de siempre que representan las tentaciones humanas. Los hind&uacute;es celebran la llegada de la nueva estaci&oacute;n.<\/p>\n<p style=\"text-align: center;\"><div class=\"video-shortcode\"><iframe width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/YaLJxHGjPiE?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lleg&oacute; el nuevo viento y con &eacute;l la primavera. Los alegres ritos de siempre que representan las tentaciones humanas. Los hind&uacute;es celebran la llegada de la nueva estaci&oacute;n. &nbsp;<\/p>\n","protected":false},"author":82,"featured_media":12981,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[79],"tags":[188],"class_list":["post-12980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","tag-renoir"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3nm","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2344,"url":"https:\/\/www.edder.org\/?p=2344","url_meta":{"origin":12980,"position":0},"title":"Renoir &#038; Renoir","author":"Eder","date":"martes, 21 Feb, 2012","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12261,"url":"https:\/\/www.edder.org\/?p=12261","url_meta":{"origin":12980,"position":1},"title":"National Gallery: excedencia permanente","author":"Eder","date":"lunes, 7 Sep, 2015","format":false,"excerpt":"La depredaci\u00f3n neoliberal ronda ahora por los museos p\u00fablicos, como la National Gallery de Londres, donde los empleados, entre los que se cuentra la protagonista del siguiente v\u00eddeo \u2013debido a Frederick Wiseman\u2013, est\u00e1n en serio peligro de encontrarse pronto en lo que aquel personaje de Jean Renoir llamaba eufem\u00edsticamente una\u2026","rel":"","context":"En \u00abSin categorizar\u00bb","block_context":{"text":"Sin categorizar","link":"https:\/\/www.edder.org\/?cat=1"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/09\/guia.gif?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/09\/guia.gif?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/09\/guia.gif?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3735,"url":"https:\/\/www.edder.org\/?p=3735","url_meta":{"origin":12980,"position":2},"title":"Sylvia Bataille: variaciones sobre un tema de Lancret","author":"Eder","date":"mi\u00e9rcoles, 6 Ago, 2014","format":false,"excerpt":"O con Sylvia Bataille en la cuerda floja:","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2014\/08\/Screen-Shot-2015-08-02-at-13.11.08.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2014\/08\/Screen-Shot-2015-08-02-at-13.11.08.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2014\/08\/Screen-Shot-2015-08-02-at-13.11.08.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":13037,"url":"https:\/\/www.edder.org\/?p=13037","url_meta":{"origin":12980,"position":3},"title":"De repente, el vendaval","author":"Eder","date":"viernes, 24 Jun, 2016","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2016\/06\/06.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":15263,"url":"https:\/\/www.edder.org\/?p=15263","url_meta":{"origin":12980,"position":4},"title":"Viento del parque Montsouris (Par\u00eds, XII)","author":"Eder","date":"lunes, 29 Jul, 2019","format":false,"excerpt":"Viento del parque Montsouris, Par\u00eds XII (viento Jacques Rivette hacia 1993). Y al fondo y entre los \u00e1rboles, viento de Central Park, NY (viento Vincente Minnelli hacia 1953). \u00a0 M\u00e1s viento de Par\u00eds (XIX): \u00a0 + Sibila en edder.org:","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/07\/dancing-0002.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":15301,"url":"https:\/\/www.edder.org\/?p=15301","url_meta":{"origin":12980,"position":5},"title":"Al viento en el tejado (Get Back)","author":"Eder","date":"jueves, 8 Ago, 2019","format":false,"excerpt":"Viento en el tejado de Apple Records (Londres). Melenas al viento a principios de 1969. Viento del \u00faltimo concierto. \u00a0 Viento del tejado de cierto hotel neoyorquino descrito por Elizabeth Hardwick y del mismo tejado londinense:","rel":"","context":"En \u00abM\u00fasica\u00bb","block_context":{"text":"M\u00fasica","link":"https:\/\/www.edder.org\/?cat=87"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/08\/tejadi-0001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/08\/tejadi-0001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2019\/08\/tejadi-0001.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2016\/06\/river.jpg","_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/12980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12980"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/12980\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/media\/12981"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}