{"id":12915,"date":"2016-05-16T00:10:35","date_gmt":"2016-05-15T23:10:35","guid":{"rendered":"https:\/\/www.edder.org\/?p=12915"},"modified":"2018-07-27T16:36:43","modified_gmt":"2018-07-27T14:36:43","slug":"el-viento-en-movimiento","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=12915","title":{"rendered":"El viento en movimiento"},"content":{"rendered":"<p>&laquo; Ce qui manque au cin&eacute;ma moderne, c&rsquo;est la beaut&eacute; ; la beaut&eacute; du vent qui agite les branches des arbres, le mouvement t&eacute;nu des rameaux en fleurs qui fr&eacute;missent sous la brise. Cela, ils l&rsquo;ont totalement oubli&eacute;&#8230; &raquo;<\/p>\n<p style=\"text-align: right;\">D.W.G.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p style=\"text-align: center;\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"video-shortcode\"><iframe title=\"Jean-Marie Straub - Solo el viento\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/VH9ezTpGNVg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><img class=\"lazyload\" decoding=\"async\" alt=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"http:\/\/edder.org\/images\/jmstraub.jpg\" style=\"width: 652px; height: 652px;\" \/><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&laquo; Ce qui manque au cin&eacute;ma moderne, c&rsquo;est la beaut&eacute; ; la beaut&eacute; du vent qui agite les branches des arbres, le mouvement t&eacute;nu des rameaux en fleurs qui fr&eacute;missent sous la brise. Cela, ils l&rsquo;ont totalement oubli&eacute;&#8230; &raquo; D.W.G.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n","protected":false},"author":82,"featured_media":12916,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[79],"tags":[100],"class_list":["post-12915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","tag-huillet-straub"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3mj","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":41102,"url":"https:\/\/www.edder.org\/?p=41102","url_meta":{"origin":12915,"position":0},"title":"De l&#8217;invention (The Lusty Men), Jacques Rivette","author":"Eder","date":"martes, 9 Ago, 2022","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/08\/invention.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/08\/invention.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2022\/08\/invention.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":748,"url":"https:\/\/www.edder.org\/?p=748","url_meta":{"origin":12915,"position":1},"title":"Retorno a Tipasa (por Albert Camus)","author":"Eder","date":"viernes, 2 Jul, 2010","format":false,"excerpt":"","rel":"","context":"En \u00abLetras\u00bb","block_context":{"text":"Letras","link":"https:\/\/www.edder.org\/?cat=93"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2010\/07\/Screenshot-2026-08-31-at-19.41.51.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2010\/07\/Screenshot-2026-08-31-at-19.41.51.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2010\/07\/Screenshot-2026-08-31-at-19.41.51.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2010\/07\/Screenshot-2026-08-31-at-19.41.51.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2010\/07\/Screenshot-2026-08-31-at-19.41.51.png?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2010\/07\/Screenshot-2026-08-31-at-19.41.51.png?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1199,"url":"https:\/\/www.edder.org\/?p=1199","url_meta":{"origin":12915,"position":2},"title":"Marcel Oph\u00fcls, m\u00e9moire vive","author":"Eder","date":"lunes, 31 Ene, 2011","format":false,"excerpt":"Dans la prise de conscience progressive qui rend possible le jugement de Maurice Papon, le r\u00f4le jou\u00e9 par Marcel Ophuls avec son film Le Chagrin et la piti\u00e9 s'est r\u00e9v\u00e9l\u00e9 primordial : ce documentaire de 1969, aussit\u00f4t censur\u00e9, entamait en profondeur le travail de d\u00e9mystification de la France occup\u00e9e. 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Depuis la d\u00e9couverte des Rendez-vous d\u2019Anna \u00e0 la t\u00e9l\u00e9vision \u00e0 trois cha\u00eenes \u2013 il y a donc tr\u00e8s longtemps \u2013 quand celle-ci permettait encore ce genre de hasard. Sublime Aurore Cl\u00e9ment, des chambres d\u2019h\u00f4tels, des quais de gares, une\u2026","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2015\/10\/Screen-Shot-2015-10-15-at-18.10.54.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/www.edder.org\/upload\/2016\/05\/jmstraub1.jpg","_links":{"self":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/12915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12915"}],"version-history":[{"count":0,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/posts\/12915\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=\/wp\/v2\/media\/12916"}],"wp:attachment":[{"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.edder.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}