{"id":1265,"date":"2010-12-17T13:29:31","date_gmt":"2010-12-17T12:29:31","guid":{"rendered":"https:\/\/www.edder.org\/?p=1265"},"modified":"2026-08-15T08:42:24","modified_gmt":"2026-08-15T06:42:24","slug":"ni-siquiera-silencio","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=1265","title":{"rendered":"Ni siquiera silencio"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\" style=\"--awb-font-size:23px;\"><p><span style=\"font-size: 12pt;\">\u00a0\u00a0 Camus dice que vio en el invierno de 1946 una gramola en la que, sin que nadie echase en ella una moneda, sonaba m\u00fasica sin parar, a todo volumen. Justamente, si alguien echaba cinco c\u00e9ntimos en el infernal aparato, obten\u00eda cinco minutos de silencio. En 1952 John Cage compuso <i>4\u201933\u201d<\/i>, pieza musical para cualquier instrumento y cualquier solista o conjunto de int\u00e9rpretes, en la que se indica al o los ejecutantes una sola cosa: que han de guardar silencio absoluto durante cuatro minutos y treinta y tres segundos. Billy Bragg y 39 m\u00fasicos brit\u00e1nicos acaban de grabar una versi\u00f3n de la c\u00e9lebre pieza de Cage. Esperan que, si por demanda popular su versi\u00f3n \u201csuena\u201d lo bastante en las radios, las tabarras musicales que habitualmente alcanzan lo alto de las listas de \u00e9xitos navide\u00f1os se vean medianamente atenuadas. John Cage estuvo en el front\u00f3n Labrit de Pamplona en 1972, veinte a\u00f1os despu\u00e9s de componer la famosa pieza que \u201csonar\u00e1\u201d ahora en las radios del Reino Unido. Por desgracia, su pieza no \u201csonar\u00e1\u201d ma\u00f1ana en la cuesta del Labrit, cuando Barcina, el consejero del ramo tur\u00edstico y dem\u00e1s comparsas pol\u00edticos amenicen a prensa y transe\u00fantes con otra de sus muy conocidas tabarras inauguradoras, esta vez servida con villancicos y diversas amenidades prenavide\u00f1as. Es de suponer que el cortejo avanzar\u00e1 por la nueva pasarela del Labrit hacia el futuro museo del jolgorio, esa infraestructura imprescindible e impostergable, as\u00ed que ahora mismo unas cuatro mil familias de esta tierra est\u00e9n a la espera de que la beneficencia les adelante una renta b\u00e1sica con la que encarar el a\u00f1o venidero. Albert Camus lament\u00f3 que su generaci\u00f3n hubiera sido privada de la oportunidad de rehacer el mundo o al menos de rehacer lo posible. No sospechaba que en un futuro habr\u00eda quien ni siquiera tendr\u00eda la oportunidad de poder parar durante cinco minutos escasos las inclementes letan\u00edas propagand\u00edstica de los que, de espadas a ellos, ejercen cruda y ruidosamente el mando con el aplauso de los satisfechos.<\/span><\/p>\n<p style=\"text-align: right;\">Publicado en <a href=\"http:\/\/www.diariodenoticias.com\/opinion\/columnistas\/postal-expres\" target=\"blank\">Diario de Noticias<\/a><\/p>\n<p><img class=\"lazyload\" decoding=\"async\" title=\"dn\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-orig-src=\"..\/images\/dn.gif\" alt=\"dn\" align=\"right\" \/><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[87,1],"tags":[132,133,131],"class_list":["post-1265","post","type-post","status-publish","format-standard","hentry","category-music","category-sin-categorizar","tag-bragg","tag-cage","tag-camus"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-kp","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42997,"url":"https:\/\/www.edder.org\/?p=42997","url_meta":{"origin":1265,"position":0},"title":"Futbolmarianismo 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