Heroica, como se esperaba, la resistencia de la Corella upeneista \u2013esa Numancia foral\u2013 a la Ley de S\u00edmbolos que viene. Corella se inmola antes que retirar los s\u00edmbolos de los de Mola. Pero para \u00e9picas, las haza\u00f1as b\u00e9lico-apost\u00f3licas que figuran en la b\u00f3veda del reinaugurado mausoleo. S\u00f3lo faltan all\u00e1 arriba Corella y los 40 de Artajona. A falta de tan principales 40,\u00a0 Barcina\u2026 (A ver si nos aclaramos: \u00bfcu\u00e1ntos metros legales o ilegales \u2013calificados y recalificados\u2013 tiene tan moderno d\u00faplex y por cu\u00e1ntos tribut\u00f3 o contribuye?) A falta de los 40 de Artajona, Barcina ha reabierto el mausoleo con 44 artistas vivos dentro. Esperemos que todos sobrevivan a tan dura experiencia funeraria. El lugar re\u00fane pocas condiciones para la estimaci\u00f3n del arte de val\u00eda,\u00a0 pero \u00a1qu\u00e9 apabullantes resultan las malas pinturas de la b\u00f3veda! Parad\u00f3jicamente, entre tanta pintura valiosa, lo llamado a pervivir \u2013pues as\u00ed lo estipul\u00f3 la intelectualidad arzobispal y en ello se obceca la alcald\u00eda\u2013 son esos cromos del techo que crean la mitolog\u00eda del heroico car\u00e1cter regionalcat\u00f3lico. A tono con las pinturas, el edificio \u2013en tanto que monumento funerario, impracticable para cualquier uso vivo\u2013 es un pastiche aterrador.\u00a0 En \u00e9l, Eusa olvid\u00f3 lo que sab\u00eda del movimiento moderno \u2013el mismo que inspir\u00f3 la obra del d\u00faplex de Barcina en Mendebaldea\u2013\u00a0 y mir\u00f3 hacia \u201cEl imperio de la luz\u201d: hacia la c\u00fapula que el Arquitecto de Estado de Hitler levant\u00f3 para el primer congreso nazi. Como la c\u00fapula de Albert Speer, el monumento de Eusa se impone a la ciudad. Al fondo est\u00e1 la ret\u00f3rica menos fumable del Heidegger m\u00e1s mistificador, seg\u00fan la que vivos y muertos comulgan en una unidad de destino. Arquitectura novia de la muerte \u2013gustar\u00e1 en la Corella upeneista\u2013, pastiche al que UPN \u2013\u00bfsomos novios de la muerte o estamos por el movimiento moderno?\u2013 ha a\u00f1adido lo que Pepe Isbert quer\u00eda en Bienvenido Mr. Marshall<\/em>: m\u00e1s chorritos en la fuente.<\/p>\n Publicado en Diario de Noticias, el 28 de marzo de 2003<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":82,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[485],"tags":[489,490,41],"class_list":["post-12365","post","type-post","status-publish","format-standard","hentry","category-postal-expres","tag-caidos","tag-eusa","tag-rodezno"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3dr","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42997,"url":"https:\/\/www.edder.org\/?p=42997","url_meta":{"origin":12365,"position":0},"title":"Futbolmarianismo y regionalcatolicismo de los siglos XX y XXI","author":"Eder","date":"mi\u00e9rcoles, 21 Ago, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abPrehistoria contempor\u00e1nea\u00bb","block_context":{"text":"Prehistoria contempor\u00e1nea","link":"https:\/\/www.edder.org\/?cat=90"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/08\/athletic_begogna.png?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":43123,"url":"https:\/\/www.edder.org\/?p=43123","url_meta":{"origin":12365,"position":1},"title":"El amor (fou) en tiempos neum\u00e1ticos","author":"Eder","date":"lunes, 21 Oct, 2024","format":false,"excerpt":"","rel":"","context":"En \u00abCine\u00bb","block_context":{"text":"Cine","link":"https:\/\/www.edder.org\/?cat=79"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2024\/10\/pneu.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2956,"url":"https:\/\/www.edder.org\/?p=2956","url_meta":{"origin":12365,"position":2},"title":"Aurelio Arteta, \u00abTr\u00edptico de la Guerra\u00bb (1937-1938)","author":"Eder","date":"domingo, 3 Mar, 2013","format":false,"excerpt":"","rel":"","context":"En \u00abArtes\u00bb","block_context":{"text":"Artes","link":"https:\/\/www.edder.org\/?cat=85"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2013\/03\/04_arteta_triptico.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.edder.org\/upload\/2013\/03\/04_arteta_triptico.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.edder.org\/upload\/2013\/03\/04_arteta_triptico.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":41764,"url":"https:\/\/www.edder.org\/?p=41764","url_meta":{"origin":12365,"position":3},"title":"Dylan-Baez. 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