{"id":12272,"date":"2015-09-14T15:56:04","date_gmt":"2015-09-14T14:56:04","guid":{"rendered":"https:\/\/www.edder.org\/?p=12272"},"modified":"2018-07-27T16:36:49","modified_gmt":"2018-07-27T14:36:49","slug":"que-triste-ver-morir-asi-a-la-especie-humana","status":"publish","type":"post","link":"https:\/\/www.edder.org\/?p=12272","title":{"rendered":"Qu\u00e9 triste ver morir as\u00ed a la especie humana"},"content":{"rendered":"<p style=\"text-align: right;\">&laquo;<span style=\"background-color:#FFD700;\">E miserabil cosa veder la spetie humana cosi meschinamente nel onde perire<\/span>&raquo;<\/p>\n<p style=\"text-align: right;\">Ascanio Condivi, <em>Vita de Michelagnolo Bvonarroti &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/em><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" alt=\"\" class=\"lazyload alignnone\" height=\"492\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27850%27%20height%3D%27492%27%20viewBox%3D%270%200%20850%20492%27%3E%3Crect%20width%3D%27850%27%20height%3D%27492%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/condivi\/condivi1.jpg\" width=\"850\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" alt=\"\" class=\"lazyload alignnone\" height=\"733\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27850%27%20height%3D%27733%27%20viewBox%3D%270%200%20850%20733%27%3E%3Crect%20width%3D%27850%27%20height%3D%27733%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/condivi\/condivi2.jpg\" width=\"850\" \/><\/p>\n<p style=\"text-align: left;\">&laquo;Y <span style=\"background-color:#FFD700;\">es gran calamidad ver c&oacute;mo la especie humana perece tan mezquinamente entre las olas<\/span>. M&aacute;s cerca todav&iacute;a al ojo aparece la cima de una monta&ntilde;a sobre las aguas, a modo de isla, donde, huyendo de la marea que avanza, se aglomera una multitud de hombres y mujeres. Muestran diversas emociones, pero todas mezquinas y espantadas, y se refugian en una tienda que se despliega bajo un &aacute;rbol, buscando protegerse de la torrencial lluvia. Encima, con gran artificio, se representa la ira de Dios, que con las aguas, rayos y rel&aacute;mpagos se abate contra ellos. En la parte de la derecha, bastante m&aacute;s cercana al ojo, en la cumbre de otro monte, una multitud se ve abrumada por la misma calamidad; de ellos ser&iacute;a demasiado largo describir cada particular; me basta con decir que todas las figuras son formidables y sacadas del natural en actitudes como en un tal caso se podr&iacute;a imaginar.&raquo;<\/p>\n<p style=\"text-align: center;\">&bull;&bull;&bull;<\/p>\n<p style=\"text-align: left;\">&laquo;Dove <span style=\"background-color:#FFD700;\">e miserabil cosa, veder la spetie humana cosi meschinamente nel onde perire<\/span>.&nbsp; Similmente pi&ugrave; vicino al&rsquo;occhio, appare anchor sopra l&rsquo;acque la cima d&rsquo;una montagna, &agrave; guisa d&rsquo;un&rsquo;isola, dove fuggendo l&rsquo;acque ch&rsquo;alzavano, s&rsquo;&egrave; ridotta una moltitudine d&rsquo; huomini et di donne, che mostran vari affetti, ma tutti miserabili et spaventosi, traendosi sotto una tenda, tirata sopra un&rsquo;albore per diffendersi di sopra dalla inusitata pioggia, et sopra questa con grande artificio si rappresenta l&rsquo;ira di Dio, che con acque, con fulgori, et con saette, si versa contra di loro. Evvi un&rsquo;altra sommit&agrave; di monte, nella destra parte, assai pi&ugrave; vicina al occhio, et una moltitudine travagliata dal medesimo accidente, della quale saria longo scrivere ogni particulare, mi basta che sono tutti naturali et formidabili, secondo che in un tale accidente si possono imaginare.&raquo;<\/p>\n<p style=\"text-align: right;\">Ascanio Condivi, <em>Vita de Michelagnolo Bvonarroti&nbsp;&nbsp;&nbsp; <\/em><\/p>\n<p style=\"text-align: right;\">&nbsp;<\/p>\n<p style=\"text-align: right;\">&nbsp;<\/p>\n<p style=\"text-align: right;\">&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size:20px;\">Qu&eacute; triste ver vivir as&iacute; a la especie humana<\/span><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" alt=\"\" class=\"lazyload alignnone\" height=\"549\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27850%27%20height%3D%27549%27%20viewBox%3D%270%200%20850%20549%27%3E%3Crect%20width%3D%27850%27%20height%3D%27549%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/edder.org\/images\/condivi\/condivi3.jpg\" width=\"850\" \/><\/p>\n<p style=\"text-align: left;\">&laquo;Siempre que sentimos <span style=\"background-color:#FFD700;\">compasi&oacute;n<\/span>, sentimos que no somos c&oacute;mplices de la causa del sufrimiento. Nuestra compasi&oacute;n proclama tanto nuestra inocencia como nuestra impotencia. En esta medida, <span style=\"background-color:#FFD700;\">puede ser una respuesta impertinente, si no inadecuada (a pesar de nuestra buenas intenciones).<\/span> <strong><span style=\"background-color:#FFD700;\">Apartar la compasi&oacute;n que extendemos a los otros acosados por la guerra y la pol&iacute;tica asesina a cambio de una reflexi&oacute;n sobre c&oacute;mo nuestros privilegios est&aacute;n ubicados en el mismo mapa que su sufrimiento<\/span><\/strong>, y pueden estar vinculados &ndash;de maneras que acaso prefiramos no imaginar&ndash; a su sufrimiento, del mismo modo como la riqueza de algunos quiz&aacute;s implique la indigencia de otros, es una tarea para la cual las im&aacute;genes dolorosas y conmovedoras solo procuran el primer est&iacute;mulo.&raquo;<\/p>\n<p style=\"text-align: right;\">Susan Sontag, <em>Ante el dolor de los dem&aacute;s&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/em><\/p>\n<p style=\"text-align: right;\">&nbsp;<\/p>\n<p><span style=\"font-size:11.0pt;font-family:&quot;Times New Roman&quot;;\nmso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;\nmso-ansi-language:EN-US;mso-fareast-language:ES;mso-bidi-language:AR-SA\">&laquo;So far as we feel <span style=\"background-color:#FFD700;\">sympathy<\/span>, we feel we are not accomplices to what caused the suffering. Our sympathy proclaims our innocence as well as our impotence. To that extent, <span style=\"background-color:#FFD700;\">it can be (for all our good intentions) an impertinent &ndash;if not an inappropriate&ndash; response.<\/span> <strong><span style=\"background-color:#FFD700;\">To set aside the sympathy we extend to others beset by war and murderous politics for a reflection on how our privileges are located on the same map as their suffering<\/span><\/strong>, and may &ndash;in ways we might prefer not to imagine&ndash; be linked to their suffering, as the wealth of some may imply the destitution of others, is a task for which the painful, stirring images supply only an initial spark.<em>&raquo;<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&laquo;E miserabil cosa veder la spetie humana cosi meschinamente nel onde perire&raquo; Ascanio Condivi, Vita de Michelagnolo Bvonarroti &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &laquo;Y es gran calamidad ver c&oacute;mo la especie humana perece tan mezquinamente entre las olas. M&aacute;s cerca todav&iacute;a al ojo aparece la cima de una monta&ntilde;a sobre las aguas, a modo de isla, donde, huyendo de la marea que avanza, se aglomera una multitud de hombres y mujeres. Muestran diversas emociones, pero todas mezquinas y espantadas, y se refugian en una tienda que se despliega bajo un &aacute;rbol, buscando protegerse de la torrencial lluvia. Encima, con gran artificio, se representa la ira de Dios, que con las aguas, rayos y rel&aacute;mpagos se abate contra ellos. En la parte de la derecha, bastante m&aacute;s cercana al  [&#8230;]<\/p>\n","protected":false},"author":82,"featured_media":12275,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[85],"tags":[486,248],"class_list":["post-12272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes","tag-michelangelo","tag-sontag"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6kHv-3bW","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1320,"url":"https:\/\/www.edder.org\/?p=1320","url_meta":{"origin":12272,"position":0},"title":"Calor humano","author":"Eder","date":"s\u00e1bado, 15 Ene, 2011","format":false,"excerpt":"Entr\u00e9 en la biblioteca de Berriozar y seg\u00fan entraba vi entre las novedades un libro de Iosu Cabodevilla que se titula Vivir y morir conscientemente. 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